Neutrif Pro Font Family

Neutrif Pro Font Family

Neutrif Pro Font Family
10 TTF
Neutrif Pro is a modern style sans serif, designed for flexibility, proportions and better balance with carefully crafted diacritics and extensive kerning for a Grotesque typeface. Inspired from Geometric sans-serif typefaces and modernism style Neutrif Pro™ was a Grot constructed around regularized widths and a lack of stroke modulation with little optical “correction”. In the transition from a few weights into full family Neutrif Pro™ has Ten styles, We wanted to adapt Neutrif Pro™ into a versatile typeface, while maintaining as much of the original character as possible.
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P49 Font Family

P49 Font Family

P49 Font Family
4 TTF
P—49 is a geometric, unicase sans-serif typeface inspired by the angular patterns found in modern suspension bridges. Each letter is constructed on a grid made up of 90° and 45° angles, drawn from the steel trusses supporting the imposing vertical towers of suspension bridges.
Every letter, number and punctuation mark strictly follows the grid creating a uniform, contemporary industrial feel to the typeface making it ideal for display use in large point sizes.
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Didonesque Font Family

Didonesque Font Family

Didonesque Font Family
16 OTF
Say hello to Didonesque – inspired by classic Didone typefaces that are synonymous with luxury brands, it is a highly versatile and elegantly stylish font family. It is inherently a display typeface and therefore ideal for headlines, logotype, branding and short runs of text. Distinguishing features include a higher x-height with shorter ascenders and descenders than traditional Didone typefaces, there are slight curvatures within the /v/w/y/ characters helping to give Didonesque a distinctive style. Also included are small caps and petite caps with full European diacritics, you can mix and match the petite caps with regular lowercase glyphs to create interesting unicase-style typography.
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Keymer Font Family

Keymer Font Family

Keymer Font Family
14 OTF
Talbot Type Keymer is inspired by Margaret Calvert’s Transport typeface, designed for the British road sign system in the early 1960s. Keymer mixes geometric and humanist traits to achieve a modern, clean, elegant appearance. It is a legible and versatile text and display face available in seven weights. Keymer features an extended character set to include old style numerals, accented characters for Central European languages and bespoke characters in the italic for a more flowing look.
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Centrale Sans Pro Font Family

Centrale Sans Pro Font Family

Centrale Sans Pro Font Family
18 TTF
A humanist design typeface incorporating elements from the more rationally constructed grotesque typefaces. Its characteristics are relatively large x-height and open apertures.The overall effect suggests approachability without the sentimentality carried by some of the more authentic humanist designs – contemporary and precise.
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Centrale Sans V3 Font Family

Centrale Sans V3 Font Family

Centrale Sans V3 Font Family
18 TTF
Centrale Sans is a modern sans serif typeface. Geometric by nature, Centrale Sans is characterized by some humanistic features, resulting in a more warm and friendly look.Its open bowls and its overall width make it highly legible and readable at small sizes. The openness helps Centrale Sans to be a good performer on the screen as well.
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Sanserata Font Family

Sanserata Font Family

Sanserata Font Family
14 OTF
Dr Gerard Unger’s Sanserata is an articulated sans that mirrors Alverata’s creativity and concept. Its bright and unflappable nature make it perfect for positive and casual brands, and its accentuated terminals improve legibility in text.
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Cocogoose Pro Font Family

Cocogoose Pro Font Family

Cocogoose Pro Font Family
17 TTF
Cocogoose is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been softened by rounded corners and slight visual corrections that make Cocogoose not only perfect for logos and headings with a vintage feel, but also very readable as a text font, thanks to its generous x-height. Cocogoose is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named in homage to fashion beloved icon Coco Chanel. Its strong character makes it ideal for display uses. Cocogoose it’s Coco Gothic for the 1940’s. It features a larger x-height than Coco Gothic, it has square punctation and it comes with five weights, from regular to thin, as well as featuring four display variants: letterpress, inline and outlined. The original Cocogoose issued in 2014 has been completely redesigned in 2016 with a pro version that includes small capitals, old style numerals, full cyrillic and greek character set, better screen performance and asset of four overlapping decorative display versions (Block Shadow, Block Innerline, Block Border, Block Gradient).
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Salty Font Family

Salty Font Family

Salty Font Family
12 OTF
Salty - not fat just big boned. Salty is a hearty brush family that’s great for any kind of display use from packaging to poster & logos to headlines. Salty has bold and clear basic letterforms and lots of alternates for more customised look. Salty family consists of Script, Caps and Extras and two weights of each. Salty script is equipped with plenty of OpenType features: Keep Automatic Ligatures on to keep the flow and click Swash, Stylistic or Titling Alternates for extra goodies or manually select from even more alternates from Glyph Palette. Salty Caps is a vivid set of casual caps that play well with the script but can also be used on their own. Salty Extras is a set of ornaments and swashes designed to support the script. Some of the Extras are designed so that they can be used to customise the letters - to create your own Alternates.
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Andimia Layered Fonts Family

Andimia Layered Fonts Family

Andimia Layered Fonts Family
2 PSD 7 TTF 3 Ai JPG | CS+
Introducing the new Andimia Typeface, another serif font with classic style. The font comes with all the basic Latin glyphs, punctuation, and numerals. Create your own style as you want with 7 Layers, Stylistic Alternates that Allows you to mix and match pairs of letters to fit your design, and Ornaments Pack to decorate your work with this font.
Andimia is a display font that provides a more clean and elegant design. You can use this font for various purposes, such as logos, wedding invitations, t-shirts, posters, labels, greetingcard, letterhead, book cover, and much more! Andimia included bonus 'Wedding Invitation' and Wine Label Templates.
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Dulcian Font Family

Dulcian Font Family

Dulcian Font Family
36 TTF
Inspired by the Appalachian culture of the Southeastern United States, the finely tuned forms of Dulcian strike a clear, empowering chord with your audience. This energetic and fresh sans serif flows fast and smooth with its simple lines and slight hand-written character. All total, there are six weights, with complementary italics and three different widths.
Dulcian supports OpenType features and is packaged with unicase alternates, unconnected alternates, ligatures, old-fashioned figures, fractions, titling and small caps. Preview any and all of these features in the interactive PDF manual. The Dulcian family of fonts also includes glyphs for 72 languages, providing you with more than 600 glyphs per font.
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Innova Font Family

Innova Font Family

Innova Font Family
32 TTF
Innova. A new grotesque for the 21st century. More open. More squarish. More legible.
After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design—a contribution to the tradition of grotesque typefaces. It is an attempt to improve both this genre’s legibility and versatility.
Innova consists of two families: Innova and Innova Alt. The Innova family has rectangular dots. The Innova Alt family has round dots—making its personality a little friendlier.
Innova is well suited for both text and display use—for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc.
Innova includes 16 uprights and 16 matching italics. It includes small caps, arbitrary fractions, and extensive language support. It includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators.
Innova embodies the renewal needed for the traditional grotesques. It is a grotesque which is fit for the 21st century
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Andis Font Family

Andis Font Family

Andis Font Family
12 TTF
Andis’ rough cut makes it an interesting display typeface, but thanks to its generous x-height and firm serifs, Andis works equally well in text sizes. The typeface’s idiosyncratic italic builds a strong contrast with the roman.
Andis is both functional and expressive; using it lends a humanistic touch to editorial or advertising work
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MTT Milano Font Family

MTT Milano Font Family

MTT Milano Font Family
10 OTF
MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. Whilst maintaining a good readability in body-text, this family meets its peak when displayed in medium-big sizes.
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URW DIN Font Family

URW DIN Font Family

URW DIN Font Family
48 OTF 48 TTF
The digital outline fonts, DIN 1451 Fette Engschrift and Fette Mittelschrift were created by URW in 1984 and are the basis for all DIN font families. Both typefaces were designed for the URW SIGNUS system and were mainly used for the production of traffic signs. They have since become so popular in other areas that we have developed a complete DIN font family with 48 styles in OpenType Pro: URW DIN. It is semi-condensed, which is unique among the DIN fonts, so it has a broad spectrum of typographic uses. Its large x-height makes it perfect for use in e-publishing (web, apps, e-Books etc) and its adjusted stroke width between the regular and bold weights enhances its quality and distinguishability in print.
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