Journey Font Family
TTF OTF WOFF
a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Real Stones - Clean And Rough + Extras Font Family
4 TTF 4 OTF
Real Stones - Clean And Rough is Authentic calligraphy style, has include two styles clean and rough, Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Five Boroughs Font Family
3 OTF 3 TTF
In honor of New York's Five Boroughs, this font set was designed to be reminiscent of the Big Apple: gritty and smooth; ragged yet soft; rough, beautiful and versatile.
The fonts can be used together for a unique typography duo, but also work beautifully on their own. Five Boroughs looks amazing on branding, apparel design, editorials, posters, logos, greeting cards, bags, books, mugs and more!

Guide Font Family
8 OTF
Guide is a humanist sans for use on traffic signs and wayfinding systems. The family’s four weights range from Regular to Bold and each has a companion italic. Guide’s italics have an 11° angle; the forms of the ‘a’, ‘b’, ‘e’, and ‘p’ are more dynamic in the italic fonts, like ‘true italic’ letters. Each font includes 20 arrow glyphs. The tops of Guide’s uppercase letters and numerals align at the same height; the ascenders rise slightly above this. Guide’s lowercase letters have a large x-height and prominent diacritical marks. Each font includes an alternate single-story ‘g’ and smaller versions of the default arrows in two stylistic sets. There is also a contextual alternates feature that substitutes a shortened ‘f’ before letters with ascenders.

Solantra Font Family
2 OTF

Los Feliz Font Family
4 TTF

Atiza Text Font Family
3 OTF
Atiza is a contemporary serif typeface designed for editorial purposes with a close and friendly personality that makes very pleasant the experience of reading. A tall x hight, relatively low contrast and strong asymmetrical serifs make Atiza an extremely legible typeface, even at very small sizes. At larger sizes the full details can be seen and the type reveals many new details that can’t be appreciated at smaller sizes. For example the brush stroke like endings are more visible. The system comes in three styles; Atiza Text Regular, Atiza Text Regular Italic and Atiza Text Bold, that provides a sufficient range of styles for work perfectly as typeface for long texts. Atiza supports over over 200 latin languages and comes with a wide range of OpenType features including: standard ligatures, case sensitive forms, tabular figures, small caps, capital spacing, localized forms, fractions, superiors and inferiors.

close font family
2 OTF

Family Or Baby Photo Album 15648674
A4 | LETTER | PDF Preview | Help File | .Indd format – for Indesign CS 6 and CC | .Idml format – for Indesign CS 4 or higher
20 pages included | CMYK – print ready colors | Layer Styles | Automatic page numbering | Bleed | 300 DPI |Easy to Customize | 9.54 MB

Vinter Font Family
10 OTF 10TTF
Vinter is finally here! A groundbreaking TDC-awarded design, completely remastered and expanded to a family of ten styles. Vinter is a confident venture into the world of contrasted sans serifs. Deeply rooted in the tradition of Scandinavian design, with acute sensibility to shape and rhythm, it veils its geometric skeleton in carefully modulated strokes, weaving a texture both familiar and surprising.

Rucksack Font Family
6 OTF
Rucksack is a modern and versatile sans serif typefamily with six weights varying from black to light. Mainly inspired by typefaces like the late 1920's geometric Futura by Paul Renner. Rucksack is build out of nice clean shapes with friendly characteristics. It has some indented stems and tall x-height for better legibility. This typeface works well on paper for editorial purposes and does a great job on display as well.

Kitten Font Family
11 OTF
Kitten is a MULTI WEIGHT SCRIPT FAMILY WITH A SIGNPAINTER aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks. Kitten covers over 40 LANGUAGES that use the Latin alphabet, with a full range of accents and diacritics. It comes in five weights and has three style variants: Regular, Slant and Swash. Kitten makes full use of OPEN TYPE ligatures to avoid letter clashes in uppercase and provide alternates and a wide array of ligature characters for a more handmade, natural look. SWASHES can be accessed through glyph palette or by typing one to six underscores after the letter. A space followed by one to eight underscores produces different cat silouhettes. TAKE CARE: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying! “Kitten” was designed by Cosimo Lorenzo Pancini, with cat dingbats by Isabella Ahmadzadeh.

Napo Font Family
3 TTF

Mr Palker Dadson Font Family
6 OTF
Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

Queulat Soft Font Family
48 OTF
The font is the soft version of the Queulat basic and condensed families, but keeping the same features as the original typeface. Queulat Soft is a hybrid font that combines different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat Soft a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the Regular with the Alt version. The Regular version is more simple than the Alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’.

Hogar Font Family
16 OTF
This font is the result of merging my architecture background and my love for typography, which inspired me to create a system of fonts based on interior architecture design, furniture design and, especially, the love I feel for my home. The system comes with a monolinear style in sans and script versions, each including 5 weights, that share similar proportions, weight interpolation and details. Hogar is basically a sans with script gestures and a script with sans shapes. In order to make the system more complete, I included an italic version, also in 5 weights, which represents a transition between both main styles. Additionally, I developed a set of monolinear dingbats including some furniture designs by well-known architects.. The family supports more than 200 Latin derived languages.

Tee Franklin Font Family
14 OTF
The British Vogue commissioned this typeface for their magazine re-design in 2001. After studying the originals of Morris Fuller Benton and the existing versions, this font was designed with all new thin weights. Just when the family was finished, Vogue informed that they had decided to use American Typewriter instead. Bastards. But here is a true classic typeface with a facelift. The pun intended. Tee Franklin has seven weights with obliques, the Heavy being just slightly heavier than the existing versions from Adobe and ITC, and moving down to totally new Ultra Light, using Luc(as) de Groot's formula to keep the weights optically correct. The glyphs are the same as the Morris Fuller Benton’s original from 1902, except for the upper case Q, which was re-designed with a loop in the counter for added differentiation.

TT Bells Font Family
10 OTF
TT Bells combines the elegant softness of antiqua with a complex and daring temper reflected in straight stroke terminals and arrowheaded serifs. The family is based on broad nib, which was typically used for old style fonts and creates these hallmark terminals and serifs. We've taken the best from old style fonts created before the digital age and added sharp and contemporary geometric shapes to the traditional style. That’s how TT Bells refers the spectators and font enthusiasts to the origins and, at the same time, reminds us that we live in the digital era when geometry and screens rule the world. TT Bells is suited for different types of text – from the shortest headings to large text arrays. When the font size is decreased, the boldness and sharpness of the font soften, it becomes more classic. The fontfamily is created according to the traditional TypeType formula (Thin, Light, Regular, Bold, Black & Italics)! We've also enabled the support of a broad number of OT features, which will help you widen the implementation range for this family: tnum, onum, pnum, numr, dnom, frac, case, ordn, subs, sups.

Blocklyn Font Family + Mockups 957186
TF WOFF PSD
The Blocklyn Font Family is big, bold, and badass, but won't be relegated only to a masculine design style. Included are 4 fonts: Condensed, Condensed Italic, Grunge, and Grunge Italic, plus 2 hardcore, 3,000 x 2,000 pixel PSD mockups templates. This font includes standard and extended Latin characters as well as numbers and symbols. Webfonts are also included, making it easy to deploy Blocklyn on your website.

Paul Grotesk Soft Font Family
8 OTF