Adlibitum Font Family
3 TTF
Adlibitum is a display typeface designed as a contemporary restyling of old textura medioeval script characters. It features a strong vertical accent and a geometric design, with 45 degrees angles and soft round corners.
It comes in three weights and features an extended character set with support for European languages, and open type support for ligatures.

Citadina Font Family
12 OTF
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearence and a slightly condensed design which makes it particularly effective for space economizing. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines.Citadina consists of 12 styles. Each containing small caps and glyph coverage for several languages.

Thug Font Family
2 TTF
Thug Plain and Thug Rough are two heavy slab serif fonts optimised for posters. The thick strokes and serifs are the typeface’s predominate features. Despite looking so dark, Thug channels contemporary design ideas more than it calls back to poster-sized wood types from the 19th century. Thug Rough’s character set includes 155 more glyphs that Thug Plain. This allows each letter to come in three versions, all with unique roughed-up effects to help users to avoid headlines where identical letters appear closely together.

Scrans Font Family
8 TTF
Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It’s main purpose is to make the difference in an innovative manner. In other words, you can use Scrans in texts where traditionally the classic scripts won’t fit. Scrans is a powerful tool that helps you to obtain clean, minimalists, geometric, contemporary, and mostly, highly legible designs. Each detail in the design of Scrans (like it’s compact proportions, it’s soft connections, it’s cutted endings and it’s subtle slant angle), was carefully crafted so you can get a high quality font to use in any project. You can also take advantage of its Open Type features that improve the potential of the typeface, with stylistic alternates and the options to underline smartly the words. Each one of the eight weights supports many languages, including Central and Eastern European as well as Western European languages.

Freight Display Pro Font Family
12 OTF

Chercan Font Family
12 OTF

Chandler 42 Font Family
OTF
One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled “m,” filled in gaps in the most-used characters; even the number “4” is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.

Stratic Script Font Family
7 OTF
Stratic Script is an elegant family of seven fonts, all based on handwriting. The main idea was to create a script font with almost no contrast, easy to use and quite legible. The design is flawless, every letter is carefuly connected to another, in all fonts. The 6 weights, which are very close to each other, allow the designer to choose precisely the weight he needs. It’s an ideal font for fashion magazines, posters, book covers, etc…This family contains OpenType features, such as Proportional Figure, Tabular Figures, Standard & Discretional ligatures

FF Antithesis Font Family
3 OTF
German type designer Yanone created this FontFont in 2013. The family has 3 weights and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Antithesis provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Linotype Univers Font Family
63 OTF
Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. By following Frutiger’s original designs, the humanist character of the sans serif, Univers, now comes through more distinctly. The systemized numbering system has also been updated. With its sturdy, clean forms Linotype Univers can facilitate an expression of cool elegance and rational competence.

Carrara Font Family
14 TTF

Core Sans AR Font Family
16 TTF
Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.
We highly recommend it for use in books, web pages, screen displays, and so on.

License Font Family
TTF
License is a typeface designed for car and motorbike license plates. Its letters – all uppercase – are monospaced and instantly identifiable; however, they don’t look so technical that they’d be out of place in other design applications. For instance, License is an excellent choice for address signage, too. While License only includes one set of letters, it offers three ranges of numerals. The standard numerals are classic-looking, with mostly-closed apertures and low stroke contrast. The numerals in Stylistic Set 1 are more streamlined, with generally open counters and increased character differentiation. The numerals in Stylistic Set 2 are intended for general graphic design work; they feature increased stroke contrast, additional serifs, and related forms for the ‘6’ and ‘9’.

Acumin Pro Font Family
90 OTF
Acumin is a versatile sans-serif typeface family designed by Robert Slimbach, intended for a balanced and rational quality. Solidly neo-grotesque, it performs beautifully at display sizes but also maintains an exceptional degree of sensitivity for text sizes.

Viva Beautiful Font Family
5 TTF
Viva Beautiful is a lovely hand painted brush script. Viva Beautiful includes two script styles (Regular or B) and an all caps font. Both scripts come in a basic or pro version.Viva Beautiful Pro and Viva Beautiful Pro B include opentype alternates and common ligatures. Try the alternates and ligatures to give your designs a realistic hand painted look. Viva Beautiful and Viva Beautiful B include opentype ligatures. The all caps font is a basic version and pairs beautifully with any Viva script.

Kazimir Text Font Family
22 TTF
Kazimir Text is a Modern serif typeface with a quite simple graphic idea. It is a Text version of display Kazimir typeface. Kazimir Text has a bit wider proportions, a bit lower contrast and much wider codepage with extended language support compare to Kazimir. A set of stylistic alternatives called Irregular was also reconsidered — they became also more suitable for text usage. The amount of styles also became much wider: 11 romans and 11 italics.

Neuzeit S Font Family
2 OTF
Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

Vogue Floral Font Family
2 OTF

Editor Condensed Font Family
5 OTF
Newspaper headlines dwell in the realm immediacy, and the right typeface will capture attention in an instant. Editor and Editor Condensed are two such families. They each feature prominent wedge-shaped serifs and visible stroke contrast. Several letterform details retain a calligraphic feeling, too. The tops of uppercase letters, numerals, and ascenders all align with one another, and all of the fonts feature large diacritics.

Sud France Font Family
6 OTF