Designed by Dr. Alfred Tilp, Barde is a striking, moderately dynamic design suitable for many different typographic tasks. Its individual ductus is inspired by handwriting, however without calligraphic embellishment. There are no serifs but tiny endings which lead to think of wood-carving.

The Lo-Res family of fonts is a synthesis of pixelated designs, including Emigre’s earlier coarse resolution fonts, as well as bitmap representations of Base 9. It replaces the preexisting Emigre, Emperor, Oakland and Universal families and groups these related bitmap designs under one family name in the font menu, thereby simplifying their naming. The Lo-Res fonts also offer technical improvements, including a more complete character set, more consistent character shapes among styles and weights, as well as improved alignment among the various resolutions.

Damien is a contemporary serif typeface family especially designed for editorial typography. Thanks to its straightfoward forms with sharply cut details and pointy triangular serifs, it comes with great authority and vigor. This strictness is most evident in the Display styles, which are intended for headlines and other larger applications. They are characterized by a higher contrast, a tighter spacing and more compact shapes in comparison to the Text version. The five upright Display weights, ranging from Light to Bold, with stylistic alternates for diamond-shaped dots and punctuation, offer a variety of options for creating eye-catching typographic gestures.

Unio presents “Vision Font Family”. Vision is a contemporary geometric display sans typeface, based on a balanced construction of sharp angles with smooth shapes. With this font we wanted to experiment with letters. In fact the research behind new shapes and different variations of the letterforms has given a futuristic look, ideal for catchy editorial headlines or logotypes. This versatile all caps font family includes more than 430 characters and covers several languages that use the Latin alphabet, completed with an extensive accents and diacritics set. It comes in Regular and Bold weights optimized for maximum adaptability. As a matter of fact each font features 36 attractive alternates and 30 ligatures, which expands the possibilities when composing.

Supernova is a new family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts. The development of script typefaces has largely been limited to variations in shape and proportion (and with the advent of OpenType technology, the addition of alternate letterforms). Their application has continued to be primarily linked to their emotional attributes, while roman types predominate in body texts. Supernova takes a step in a different direction and was conceived as a script typeface family comprised of several weights and cuts, including a versatile, eye-catching display version and a highly legible body-text version with five weights.

The Rosella family, by Sabina Chipara?, is an elegant and playful suite of typefaces that are ideal for book covers, social announcements, packaging and posters. Inspired by late 19th century engravers typefaces that mimic the delicate and ornate hairlines of steel and copperplate engraving, the family’s foundation is built on the dramatic Solid design and then expands to Deco, Engraved, Flourish, Hatched and Inline styles. Rosella also takes to color like the beautiful Australian parrot it is named after. Words set in the typeface come alive when vibrant colors, or tinted backgrounds become part of their plumage. While modern as today, the design also has a quiet antique vibe that brings an understated refinement to a variety of hardcopy projects. Rosella is a typeface for those times you need a design that stands out from the crowd – but with grace and composure.

Designed by Harold Broderson in 1953, Brody is a script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

While studying catalogs designed by Willem Sandberg for the Stedelijk Museum, Berton Hasebe noticed frequent use of small sizes of Annonce Grotesk, a very wide and bold sans serif, for running feet, headers within text, and other small navigational elements. Unable to think of a contemporary typeface able to do this job as capably, he was inspired to adapt Druk Wide for small sizes. Druk Text Wide is designed to be useful for structural elements, clarifying typographic hierarchy without forcing dramatic changes in scale on the page. It can also be used sparingly for short blocks of text, but it is primarily intended for display use at small sizes, maintaining its legibility all the way down to 6pt.

Damien is a contemporary serif typeface family especially designed for editorial typography. Thanks to its straightfoward forms with sharply cut details and pointy triangular serifs, it comes with great authority and vigor. This strictness is most evident in the Display styles, which are intended for headlines and other larger applications. They are characterized by a higher contrast, a tighter spacing and more compact shapes in comparison to the Text version. The five upright Display weights, ranging from Light to Bold, with stylistic alternates for diamond-shaped dots and punctuation, offer a variety of options for creating eye-catching typographic gestures. Damien Display consists of five upright styles and is available for desktop, app, e-book and web licensing.