Merlo Neue Round is the younger brother of Merlo Round and cousin of Merlo Neue. New family received refreshed, rounded style and a new shape of many glyphs. New Merlo consist of a wide range of instances – seven new weights with italics, from Hairline to Bold allows to use the family in a complex way, depending on the user’s needs. Font has a glyph set for latin and cyrylic script, small caps and old-style figures. Merlo Neue Round would be a great choice for display use as well as for the longer texts. Family is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW "Prasa” from May 1960 till December 1973 in Poland.

Metric & Calibre are a pair of typefaces that share a fundamental geometry yet differ in the finish of key letterforms. Metric is a geometric humanist, sired by West Berlin street signs. Calibre is a geometric neo-grotesque, inspired by the rationality of Aldo Novarese’s seldom seen Recta. They were conceived as a pair but function independently of each other. The development of Metric & Calibre is based upon two ideas—1: “engineered geometry” and its application to street signage, 2: alternate letterforms in typefaces.

Pixie is a modern pixel font family with 610 glyphs including 15 font styles. Pixel = only 8Bit Games? No! This font suits also well to movie-titles, tech-logos, party-visuals, website-scripts and so on. Works great in small and big sizes.

The great value of something crafted thoroughly by hand has been observed for years by Guille Vizzari throughout a wide spectrum of clients and projects developed at «Yani & Guille» —the studio he runs cheek by jowl with Yani Arabena—, and they both noticed that recently it has been taking on a new meaning. From barbers at their shops, to a barista that passionately prepares coffee every morning, or a bartender that deeply enjoys diving towards unknown ingredients, and even Guille’s admiration for sign painters worldwide that keep spreading their passion for the perfectly constructed letter.
This wide trades universe, where craftsmanship represents a huge difference, is where «Proprietor» lives, and it’s the reason why it exists.

Triumph Wheels is a display, western and display serif font family. This typeface has two styles and was published by madeDeduk.

Inspired by French Renaissance era type and traditional broad-nib calligraphy Register* is a family of versatile serif typefaces crafted with today's designer & editorial art director in mind. Background: The typeface launched exclusively, as a proprietary face for A2/SW/HK's award winning redesign of the premier photography magazine, Aperture in spring 2013. Selected styles, and variations thereof, have since been customised for ‘Art Quarterly’ magazine, ‘The Sunday Times Magazine’ (UK) and became a reference point for A2-TYPE’s award winning Independent newspaper fonts.

A bold, industrial type family paying homage to vintage signage and boutique design. As you can see the examples shown in the images, Konstanz lends itself perfectly for signage on multiple different levels. Konstanz comes in both Clean & Rough versions, and features a slanted oblique for both of these versions. Lowercase alternates - There are alternate characters for the letters A, D, E, K & O, as can be seen in the first image. These can be accessed by using the lowercase character. OTF/TTF - Konstanz comes in both OTF & TTF formats, for a total of eight font files for you to use as you see fit.

Financier is a new typeface family drawn for the redesign of the Financial Times (FT), which was launched in September 2014. It comprises two complementary sets of styles: Financier Display and Financier Text. Kevin Wilson and Mark Leeds provided design direction over the course of several months. The brief was to produce a sharper, more modern newspaper that shows off the FT’s strengths in reporting, analysis and visual journalism. The newspaper needed to be more than just a snapshot of the website at a particular point in the day, but an edited selection of the best the FT has to offer. It needed to complement FT.com and provide a competitive “finite” read of “what you need to know” each day.

When I was a kid, I loved the story of The Boy Who Cried Wolf. I thought it was pretty stupid of the boy to trick the villagers into believing wolves are attacking his flock of sheep. But I also thought it was a bit sad that the sheep are eaten by a wolf in the end. I didn’t really feel sorry for the boy (he really was stupid), nor the wolf (he just does what he is supposed to do in life), but I did feel sorry for those poor sheep. I guess this is what disinformation leads to in the end. Cry Wolf is a bit of a scary font: it was made with a really old and battered brush, using Chinese ink and some quality French paper. It has a slight tilt to the right and I added some inky splatter for dramatic effect. Use Cry Wolf for your book covers, product packaging and headlines; use if to spice up you invitations and your halloween posters. Comes in a slightly tilted Regular style and an outright Italic style.

Boing is a bold, rounded sans serif font ideal for a range of communication needs. The face is soft, yet solid, determined, yet friendly. Boing has been designed as a display face, but it also works equally well in running text.

GT Pressura is inspired by metal type printing history as well as engineered letters stamped onto shipping boxes. It uses the visual gesture of ink spreading under pressure as a stylistic device, offering an alternative to more spindly typefaces of the digital age.