Vtg Stencil US No 72 Font Family
4 OTF
The Vtg Stencil series of fonts from astype are based on real world stencils.
All styles offering an extended Latin character set.

Modesta Script Font duo 1704482
2 OTF 2 TTF

Mandatory - Vintage Font Duo 1726736
2 OTF 2 TTF

Wonder Stark Font 1875993
OTF TTF

Little Mandy Script Font
TTF

Stay Weird - Brush Font + Swashes 2628665
OTF 2 TTF

Redoura Font Duo 898152
7 OTF 7 TTF

Biotrie Font Family
2 TTF 2 OTF

Breaking Mad Font 2482930
OTF TTF

Chills Font Family
5 OTF

Cheee Font
TTF

Lexia Mono Font Family
6 TTF
Lexia Mono was drawn specifically with programmers and designers who work with tough compositional issues in mind. Its clean, uninterrupted rhythm and even colour make it remarkably easy to read, while its characters, redesigned to make full use of the bounding box, flow just like on a typewriter. Unlike many monospace font families which consist of only Regular and Bold weights, Lexia Mono also features a Light, stylish true italics, and box-drawing characters for terminal use

Attorney Font Family
14 OTF

Tyrium Font
2 OTF
Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo!

Ederson Font
2 OTF

Mont Rose Font
2 OTF

Bangebuks Font
2 OTF
Bangebuks is perfect for those comic posters, invitations, flyers or whatever needs a special attention!

Mundlam Font Family
3 OTF

Rockeby Semiserif Font Family
14 OTF 14 TTF
Rockeby SemiSerif is a font family that joins a well known collection - Rockeby Typography Toolbox. With 14 fonts included, it can be used for any sort of design project including but not limited to branding, websites, brochures, greeting cards etc. Rockeby SemiSerif Rough has a unique feature - the grunge texture that is applied not only to the letters but to the surrounding space as well.

New Old English Font
TTF
New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter.