Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.

The letters of this unusual sans serif typeface offer a blend of formal and informal construction. Legible in large and small sizes, Squire is versatile across a wide variety of advertising applications. It's a great choice for work such as greeting cards, menus, and personal stationery where a familiar, warm approach is desired. Created by Austrian typographer Michael Neugebauer.

Retro script based on shopfront lettering, wallpaint advertisements in Italy around 1950s.

Designed by the outstanding British designer Alan Birch, this dramatic typeface conveys all the immediacy, impact and effect of a stencil or rubber stamp on paper. Suitable for many large display applications, and any work that would be enhanced by a stencil, branding or rubber stamp effect.

Mandolina is an all capitals display font with a complete accented letters used in Western Europe (Latin 1). Some accented letters used in Eastern Europe are also included in the font. The characters in the font are not all shown in the preview images but you will have a very good idea on what is on the font based on the previews. Mandolina has 247 glyphs and is available in both OpenType (OTF) and TrueType (TTF).

The Dres family conjures up the sweaty aesthetics of sportswear and will find fans among those who like large-screen TVs, potato chips, and can’t seem to be drawn away from live feeds of team sports. It’s mandatory for those who own a club card to the local stadium or sports hall, prefer to drink beer from a paper cup, eat cold hot dogs and carry fireworks in their pockets. And of course for those who know all of the chants and choruses of their club by heart, wear scarves with logos around their necks and only travel by public transport dressed in the attire of their favourite club. No matter if it’s a football, ice hockey, volleyball or basketball club, regardless of whether you support Liverpool or United, Jagr, Gretzky or Maradona. Dres will remind you of all the successes (or failures) of your national or favourite team; some will also be reminded of the legendary Mexico 68 typography.

Sax is a professional, elegant and high end serif design by Coen Hofmann, published in 2008 by URW. The Sax family contains three effective weights of regular, bold and italic, along with a small caps weight.

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as displaytype as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 weights and italics.

Designed by Adrian Frutiger, President is a sharp serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

You can't Play Time, player. Time does not play. Mess around and it runs out, like quarters on a countdown. Try to hold it and it slips past, greasy and sinuous, leaving you falling, like leaves of a lost season.

Prestige Elite is a minimal, clean monospaced typewriter typeface, originally designed for use by IBM. This modern version was published by URW and was originally designed by Clayton Smith in 1953.

Have you ever imagined what a modern serif with massive triangle-shaped serifs instead of the usual hairline ones would look like? And what if the uppercases got smaller and the extenders were minimised at the same time? How big a narrowing can a serif type handle but still retain its character and legi­bility? Vojt?ch ?iha asked himself all of these questions and answered them with the extensive Steiner family. A contemporary serif, German-like in strictness and precision, but still retaining originality in its shapes.

Lundy is bold, versatile font. It’s expressive and great for branding, crafting and much more. It is easy to read and works well for digital designs, print & print & cut. To add the decorative line underneath, simply add an underscore, asterisks and the number of the swash (for example: T_*1raveling) or grab it from the PUA encoded section of the font.