Designed by Heinz Schumann in 1964, Stentor is a calligraphic script release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

Hello! Happy to present the ultimate MARVIN font family - slab serif typeface.
Font inspired by Marvin Heemeyer history. It have 4 weiths from strength, massive forms as bulldozer, to easy light thin lines.

Ben Teschner Design proudly presents our first product, Sherman Font Family! This font is inspired by the General Sherman tree in Sequoia National Park.
This rough font would be perfect to combine in your design with vintage style. The fonts are great for logos, apparel design, tattoo inspired design, vintage design and much more. DESIGN YOUR OWN LOGOS This package includes not only your font files, but also 3 pre-made and easily-editable logo templates to make designing your own visual identity a breeze!

Florentine is a decorative display design released by URW. Florentine was originally designed by Ludvig S. Ipsen in 1896.

Simplicity Font comes with upper and lowercase characters, punctuation glyphs, numerals and supports international languages. This font are perfect for logo marks, vintage logo, badge design, poster design, typographic quotes over photos, book covers and packaging design.

Bastardilla is a concatenated handwritten font. The commercial version it has 2 complete sets of Capital letters and 3 sets of lowercase letters, including one for terminals letters (swashes) and one for initial letters.

Harajuku Script is an ‘easy-on-the-eye’ script font. I made it with a Japanese brush pen. The font is quite stylish, so I named it after Tokyo’s Harajuku area, which is known internationally as a center of Japanese youth culture and fashion. Harajuku Script would look good anywhere, but product packaging, websites and magazines could profit from this handwritten gem.

Sirius is an old style and formal serif designed by Coen Hofmann in 2003. The Sirius family contains four beautiful style options that also includes a small caps style.

Perhaps best described as a logotype style of typeface, this highly unique design with its strong geometric presence is the work of accomplished Swiss designer, Rosemarie Tissi. A striped feature running throughout helps to determine the legibility of the letterforms. Sinaloa was designed to be used a few words at a time for large display requirements.