Greetings creative people! Say hello to Druid and Kosta, a brand new pair of handwritten fonts. Each of them has a completely different styles but boy, do they work well together. Druid and Kosta are perfect for branding works, websites, handrawn illustrations, printed graphics such as cards, packagings and much more. The imperfections inherited by these two fonts will only add unique personalities to your design. Druid is a rigid, condensed, all-caps font that is just perfect for titles and captions. However it’s suitable for paragraphs too. Kosta, being an easygoing brush script font that it is contains both upper and lowercase – very suitable for long paragraphs as well as titles and headers. Last but not least, the extras! This font duo comes with a generous nature-inspired illustrations that you can use freely in your projects.

Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. The fonts were originally distributed in film format by PhotoStar, now brought back to life by URW++.

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Easy Tiger is a font duo with a set of outline and regular characters. This set is a tribute to the new Portugal The Man album, Woodstock.

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stolzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.

P22 Slogan is a non-connecting script font that captures the essence of the lettering used in 1950s European advertising. Bold strokes of this brush-drawn face make this design a great choice for both retro design and contemporary work. The font is based on the 1957 design "Slogan" by Aldo Novarese for the Italian Nebiolo Type Foundry. At the time of its original release, the font was touted for "striking publicity work." P22 Slogan is a non-Pro Opentype font that includes Central European characters.