Hi guys! I want to introduce you my font - Frontier. Frontier based on simply and sketchy brush marker lettering. Font has an organic natural texture. Just try out!

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

Garuspik is an original ulra condensed, narrow, tall font with 3 styles: display, round and square. It is particularly well suited to create text blocks, advertising slogans, headlines, and other original and interesting text compositions. For convenience and variation the Uppercase are very tall, lowercase are moderately tall. Garuspik looks especially good when set in all uppercase. So, for convenience and simplicity, the smcp feature changes all characters to uppercase only. In addition, another OpenType feature changes the form of some uppercase, if they stand before to lowercase. And of course, there are all the necessary and popular features such as frac, ordn, locl and others.

Written with a blunt graphite pen, PiS Coalfield features a scruffy scribbled look, loosely inspired by the expressive handwriting on various posters by Sister Corita Kent, an influential pop artist experimenting with serigraphs in the 60ies. There is one set of regular and 4 sets of alternate glyphs for each basic letter programmed to cycle through automatically with the contextual alternate feature (which makes 5 possible versions of each letter). You can also hand-pick the 4 alternate sets if you prefer that of course! A super-lively handwritten look is guaranteed, readability is given in display but also in smaller sizes too! Use it for your organic tofu brand, children’s books or that hip sweet coffee shop around the corner!

Typefaces made from circles are an intriguing proposition for graphic designers. Many are created for technical reasons, such as for the dot matrix printers, or for large screens at sports events. Often they are simple sans serif forms, but Tanja is something unique; a Renaissance dot typeface. Based on the monolinear Marian 1554, Tanja began life as the proposed logo for a German publisher. Though the idea is simple, a seriffed dot typefaces, in its details it reveals a complexity as the dots vary gradually in size. Like Marian, it closely follows the historical models of Garamond and Granjon, but has a contemporary aesthethic, a remix of a remix of a classic. Designed as a display typeface for sizes above 30 point, it comes with various numeral styles, small capitals, swash letters and ligatures.

Sul Mono is a geometrically constructed monospaced family of five fonts. It is the fixed width version of Sul Sans, a typeface with features observed in capital letters on signs and buildings in Portugal. Sul Mono’s glyphs width is the standard, so it takes the exact same horizontal space as popular monospace fonts, like Courier or Andale Mono. The name Sul (South), hints to a southern european flavour on a typically northern style of typeface.

Designed by T. Nevison in 1967, Nevison Casual is a hand writing style font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

William A. Dwiggins designed Caledonia for Linotype in 1939. Initially, he had intended to blend the elements of Scotch Roman and Bulmer typefaces, but ended up with a design that bettered both his models. Dwiggins describes it as having “something of that simple, hard-working, feet-on-the-ground quality that has kept Scotch Roman in service for so many years.” The Bulmer types gave Caledonia “the liveliness of action the quality is in the curves, the way they get away from the straight stems with a calligraphic flick, and in the nervous angle on the underside of the arches as they descend to the right.” The result, Caledonia (the Latin name for Scotland), is one of the most widely used book types of all time. In the late 1980s, Linotype released New Caledonia, removing some of the constraints placed on the original design when it was first produced in metal and augmenting the range of weights for the typeface.