Odds Font Family

Odds Font Family

Odds Font Family
5 OTF
Say hello to Odds - a versatile, chunky casual sans with lots of personality! It’s fresh, friendly and easy to read. It is also a great mix of boldness and cuteness, so it definitely captures attention.
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Kurlz Greek Font 1953949

Kurlz Greek Font 1953949

Kurlz Greek Font 1953949
2 TTF
Kurlz Greek font is cute sorority style lettering that comes in .TTF format. This font is perfect for designing T-shirts, hats, hoodies, cards, cups, fliers, and anything else you can conjure up for a sorority.
Type lowercase for Latin/English style lettering and type UPPERCASE for Greek lettering. This font also has bold version with Greek only.
This font is strictly for Greek collegiate, fraternity, and sorority use and does not contain lowercase Greek letters.
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Willow Font 1934459

Willow Font 1934459

Willow Font 1934459
OTF TTF
Willow Font you can use it for any kind of logo creation or just for fun. You can create a movie logo, artist logo, website logo. Examples: You can create a big colorful logo to print for kids room or funny text board stickers. To make more fun, you can add layers of colors, images to the font. The font is in high resolution and can be zoomed, edited, rotated, configured as you wish. In the package include uppercase letters, lowercase letters, numbers, punctuation.
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SOTA MINI FONT 1943102

SOTA MINI FONT 1943102

SOTA MINI FONT 1943102
OTF TTF
Sota Mini Font is perfect for any project that needs a hand-made feel and can be easily paired with other fonts!
Because Sota is a mini font, it includes uppercase, lowercase, numbers, and basic english symbols. Feel free to give it a test run below!
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Neo Latina Font Family

Neo Latina Font Family

Neo Latina Font Family
2 OTF 2 TTF
Neo Latina is a classic sans serif typography in small caps of square proportions and rectilinear character with the ends of the rounded horns and a semi-stencil design that gives a futuristic aspect and of science fiction.
Neo Latina is the right heiress of geometric fonts from the early 20th century inspired by the Bauhaus school and is specially designed for use in any size for both screen and print.
Neo Latina is a very versatile typography for graphic design, you can use it in advertising posters, video games, film titles, logos, editorial design, etc.
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Morl Font Family

Morl Font Family

Morl Font Family
60 OTF 60 TTF
Developed from condensed san serif families of the 90’s to 00’s, Morl brings together the distinctive features of the time but presented in a simpler design. Its potential is increased with Original, Sans, and Rounded options which offer varied moods. Suitable for publications, web and product designs, Morl can fit either headlines or body. It’s also effectively supported in various devices. The family comes in 10 weights, making it available to use for your required tasks in 60 styles.
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Gothica Font

Gothica Font

Gothica Font
OTF
Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs.
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Aquino Font Family

Aquino Font Family

Aquino Font Family
5 OTF 5 TTF
Aquino is a display calligraphic stencil typeface inspired by a liturgic book made by portuguese friar Tomas Aquino in 1735 – Collectaneum Sacri Ordinis Cisterciensis ad usum Congregationis S. Mariae de Alcobaca.
Friar Aquino’s Calligraphy shows a distinctive typographic flavour with a uniform and consistent execution of the serifed letters. He also wrote with unconnected strokes, resulting in stencil-like letterforms.
We analysed and followed the structures of Aquino’s minuscules, and used as models lowercase letters from different parts of the book. The design of the uppercase letters however is mostly original, as we decided to make them more consistent with the lowercase shapes and their logic of construction, instead of reproducing Aquino’s decorative majuscules.
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