Ladonna is a charming, fun, cute font with lots of character. Inspired and created from brush lettering, this font has varying thicknesses, curvy features, and chunky letterforms. Ladonna contains upper & lowercase characters, numerals and a large range of punctuation and symbols. I hope you enjoy Ladonna as much as I enjoyed creating her! I'd love to see how you use Ladonna, if you want to tag me in any posts you might use her in, you can tag me everywhere on the web at @caseykleeb. Thanks so much!

Monalisa Script is modern script typeface. Monalisa a beautiful for wedding card design, logotype, website header, fashion design and any more. Monalisa
comes as a Monoline font, and also come with 413 Glyph and 37 Swash Characters. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Designed at Poligraphmash circa 1940. Based on Latinskaya of the H. Berthold (St.Petersburg, 1901), Cyrillic version of Lateinisch of H.Berthold (Berlin,
1899). This digital version developed at ParaGraph in 1996 by Lyubov Kuznetsova. The favorite text typeface of Soviet typography.

Creative, modern & decorative font for your new projects. Great for modern or creative style projects!

Hey Girl is a fun, brush font with a bouncy baseline. This playful font will give your designs that fresh, modern feel to it and will look lovely on quotes, cards, logo's and all your other lovely projects. Hey Girl has nice smooth lines which makes it perfect for crafters and cutting machines.

'Wild Child' is a collaboration between Whimsy and Wild and The Routine Creative! This is a fun and playful hand-lettered font. It has a feminine hand-lettered feel and can be perfect for many uses from social graphics, greeting cards, t-shirts and even logos. Pairs well with bold sans serifs and condensed sans serifs.

Univers Next is a completely reworked version of the original Univers typeface family by Adrian Frutiger. Based on a student project he drew in the late 1940s, Frutiger completed the Univers family in 1957 for Deberny and Peignot, where he was a staff designer. As the first large type family to be conceived in a wide range of widths and weights right from its inception, with a unique systemized numbering system, Univers was truly a trailblazer. In 1997 Adrian Frutiger and the design staff at Linotype completed the large joint project that resulted in Linotype Univers, a cohesive font family of 63 weights. The existing weights were completely redrawn, making the proportions more consistent and improving fine details such as curves and thick-to-thin stroke ratios. By following Frutiger’s original designs, Univers’s humanist characteristics were underlined.

Marvin Visions is a more modern and consistent reinterpretation of Marvin, a typeface originally designed by Michael Chave in 1969 and published by Face Photosetting. It has been revived by Mathieu Triay for the identity of Visions, a new science fiction magazine that aims to be a literary introduction to the genre, mixing classic texts with new writing. When everyone is looking for their next workhorse, here comes Marvin Visions – a typeface with character, made to stand out. Like the original, it’s uppercase only and solely for display use. Unlike the original, this new design wants to be more sturdy and versatile. It has tight-not-touching default spacing, and it sports diacritics for most European languages as well as Cyrillic glyphs. It has been enhanced with a number of symbols, including arrows and an ‘at sign’, on top of a completely redrawn figure set.

Perkin Duo Font is a bold sans serif + serif font duo with both solid and outlined font files. These fonts looks amazing in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless.
Perfect for gorgeous logos, displays, headers, invitations, save the dates, weddings, titles, web layouts and branding, etc