Cavolini Font Family

Cavolini Font Family

Cavolini Font Family

The Cavolini™ typeface family, by Carl Crossgrove, is unique to handwriting fonts. It is a family of several designs, and it was developed for imaging on small screens. While drawn for a specific use, the family is also equally at home in many interactive and print applications. Cavolini has all the casual charm and immediacy of handwriting, while maintaining high levels of typographic clarity. Cavolini’s large x-height, open character spacing, clearly defined apertures, and easily differentiated forms enable high levels of legibility and readability at small sizes, while the family’s multiple designs of roman, bold and italic in regular and condensed proportions enable breadth of choice for creating emphasis, hierarchy, and typographic diversity a wide variety of environments. A large character set enables the setting of most Western European and many Eastern European languages, including Cyrillic and Greek – and adds to the family’s broad range of uses.
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Wola Font

Wola Font

Wola Font

Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved or demure. The design blends the stroke weight stress of Bodoni with the urgency of handwritten letterforms, conveying the energy and immediacy of a design that’s bigger than life – and outside the fence. OpenType® Pro fonts of Wola provide for the automatic insertion of ligatures and alternate characters. These are in addition to a character set supporting most Central European and many Eastern European languages, including Cyrillic and Greek. All this makes Wola a comfortable – if boisterous – world traveler.
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Golf Font

Golf Font

Golf Font

Golf was originally designed by Henry Reinhard Moller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets by himself. This digital version of the original typeface is best used in sizes above 24 points.
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Thorky Display Font 1664627

Thorky Display Font 1664627

Thorky Display Font 1664627
2 OTF 2 TTF
Thorky are rough and clean script font. Thorky good for your logo design, poster design, apparel design, etc. This font have many alternates characters, so you can combine Thorky regular characters with Thorky alternates character for your design.
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P22 Folkwang Font

P22 Folkwang Font

P22 Folkwang Font
OTF
Folkwang is an unusual roman type with a lowercase that resembles an upright italic. Unusual top serifs are contrasted by almost no foot serifs. Originally released by the Klingspor foundry in 1955, this face originated from Hermann Schardt while he was the director of the Folkwang Werkkunstschule in Essen Germany circa 1949.
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ALS Lamon Font

ALS Lamon Font

ALS Lamon Font
OTF
Lamon is a soft-natured display typeface. It looks best when used for short words and succinct phrases. Lamon’s outlined glyphs are made of both uppercase and cursive letters with the smaller letters hiding inside the bigger ones. The face’s smooth lines give street signs, packaging and decorative materials a friendly lightness, while the unexpected contrast involves the viewer in an interesting optical game. Lamon is a perfect typeface for neon signs. In addition to Cyrillic and Latin letters, Lamon includes a set of useful characters and currency signs.
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Demetriss Font 1722470

Demetriss Font 1722470

Demetriss Font 1722470

Demetriss is a unique handwritten font. It comes with uppercase and lowercase characters, large set of punctuation glyphs, numerals, ligatures, cyrillic characters and multilingual support. Perfect for logos, greeting cards, product packaging, t-shirt, handwritten quotes and etc.
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