Bakinskay Handmade Font Brush 1236867
5 OTF AI EPS
Bakinskay - comes is various styles - Regular, Slanted , and Upright - each with it's own unique personality to suit the look you are after. No special software - You do not need a special design program. The font will work in ANY text editor. This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more

Boostpest Brush Font 20028030
OTF TTF
Give your designs an authentic brush handcrafted feel. “Boostpest” is perfectly suited to stationery, logos and much more.

Just Darling Hand-Lettered Font Trio 1527034
3 OTF
Just Darling was lovingly hand-lettered on an iPad, and offers a bit of variety. Just Darling is perfect for invitations, monograms, & cute feminine branding.

FF Brokenscript Font Family
4 OTF
Dutch type designer Just van Rossum created this blackletter FontFont in 1991. The family contains 2 weights: Bold and Condensed and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Brokenscript provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. This FontFont is a member of the FF Brokenscript super family, which also includes FF Brokenscript Rough.

Alternate Gothic Font Family
3 TTF
Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.

Bauer Bodoni Font Family
8 OTF
Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most faithful and delicate contemporary version of his types.

Bw James Font Family
15 OTF

FS Truman Font Family
6 OTF

Diurnal Font Family
20 OTF

Eleganza Font Family
4 OTF
Eleganza is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch.The font comes in pairs for the price of one. The “plus” version being the one with less embellishments.

Mister Sketchnote Handwritten Font 1243237
OTF EPS
MISTER SKETCHNOTE HANDWRITTEN FONT And free bonus - 39 vector sketchnote icons. Mister Sketchnote Font is perfect for custom logotypes, sketches and doodles, personal diary or sketchnote workbook. Tell your own story using Mister Sketchnote. And make it a special with free sketch icons

Zeitgeist Font 1371138
2 OTF 2 TTF WEB
ZEITGEIST FONT | A messi hand-brushed It’s playful, casual, and fresh, based on real handwritting. Available in 2 versions, regular & alternative. Both scripts are quite versatile and surely meant to grab attention yet bring positivity and excitement. Mix the characters up for more fascinating result!

Symphonique Script Font
OTF,TTF | 1,5 MB

Ferilistica Script Font 1542198
OTF TTF WOFF
This font are perfect for poster or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your small business, book covers, stationery, marketing, magazines and more.

Karma - Semi Bold Serif Font 1244019
OTF
a sleek semi-bold serif font. perfect for any project. full commercial license included. Uppercase and lowercase letters + all numerals and punctuation is included.

StoneStory Font 1543681
TTF OTF
Introducing StoneStory hand crafted typeface.
Multi purpose use as it has upper cases, lower cases (extended with europian characters), numbers, punctuations, currency symbols and other signs.

Ano Font Family
54 OTF

Bw Gradual Font Family
14 OTF
Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.

Libcziowes Font
OTF
The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to the other – covered with lettering. It attests to the fact that in Bohemia, thirty years after Garamond's death, inscriptions were cut in popular type faces which were quite different from the Renaissance Roman type face. I was interested in the type face and I tried to digitalize it, expecting similarly poor results as if I had tried to cut a computer font. In spite of the fact that I did not succeed in capturing the vivacity of the model, an interesting display type face arose which, hopefully, may distract and please its users.

Lido STF Font Family
6 OTF
Lido is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. This is typical of the typefaces designed for use in small sizes. Our typeface, however, can sustain enlargement even to the size appropriate for a poster, an information table or a billboard, as it is not trite and at the same time is moderate in expression.