Ardilla Script Font

Ardilla Script Font

Ardilla Script Font
TTF OTF
This is ARDILLA, a new fresh & modern script with calligraphy style. a charming typeface and So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. ARDILLA also has a swash letters from a - z that would make it a more attractive font.
The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.
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Clareza Font Family

Clareza Font Family

Clareza Font Family
2 OTF
Clareza means “Clarity” in Portuguese. That was exactly the goal in creating this font. We managed to create a font that is crisp and extremely legible at all sizes but then comes to life in an interesting and unusual way when used as a display font. The glyph traps are at the heart of Clareza’s unusual style: they were carefully designed to become a great feature at display sizes, adding an interesting personality without dominating. Clareza is a solid Geometric workhorse ideal for clear, legible, applications including branding, advertising and signage. If you are looking for a font that is crisp with a little more personality, Clareza will absolutely fit the bill!
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Bergen Sans Font Family

Bergen Sans Font Family

Bergen Sans Font Family
6 OTF
Bergen Sans is a contemporary sans serif font family of 6 fonts. Carrying clean and stylized Scandinavian geometry, partnered with explosive post Bauhaus type aesthetics, Bergen Sans is perfect companion in any designer’s ‘survival’ kit. While being a small font family it has unlimited capabilities and plenty of Open Type features for highly professional use. Bergen Sans also includes Extended Latin, Cyrillic (including Bulgarian alternates) and Greek language support.
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Chronic Font Family

Chronic Font Family

Chronic Font Family
7 TTF
Chronically strong, yet pacific. Chronically bold, yet friendly.
This font was at first inspired by a HAP Grieshaber work and soon incorporated elements from pieces by Willem Sandberg, two astonishing artists who lived through two world wars. They had to struggle for freedom and consistently manifested, with words, works and actions, their absolute love of liberty. Both were chronically free. As this font intends to be.
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Davis Font Family

Davis Font  Family

Davis Font Family
8 TTF
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print design. This is now true in corporate, advertising and interface design, and is even spilling over into editorial layouts. Such focus on clarity and precision in modern design environments have brought to light the many issues that riddle classic print faces, and increased the call for new solutions. The reinvigorated type design market responded to the demand, sometimes with original takes that build on the classics, and sometimes with merely subtle differences from the old aesthetics.
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Cerulea Font Family

Cerulea Font Family

Cerulea Font Family
14 TTF
Cerulea is a unicase from the world of the sky. Drawing inspirations from Art Nouveau, Classical Roman, and Uncial styles, Cerulea’s wide, spacious bowls, sharp points, and subtle wandering curves evoke airiness, flight, and fantasy. Seven weights, and true italics for each, range from zephyrous to thunderous. Vary the mood every time you choose between the serious capital form of a letter, the more fanciful lowercase form, or another variant in the stylistic sets. The more than 800 glyphs cover pan-European Latin, Greek, Cyrillic, fractions, circled numbers, planet and zodiac symbols, card suits, chess pieces, ornaments, and more.
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Davis Sans Font Family

Davis Sans Font Family

Davis Sans Font Family
8 TTF
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print design. This is now true in corporate, advertising and interface design, and is even spilling over into editorial layouts. Such focus on clarity and precision in modern design environments have brought to light the many issues that riddle classic print faces, and increased the call for new solutions. The reinvigorated type design market responded to the demand, sometimes with original takes that build on the classics, and sometimes with merely subtle differences from the old aesthetics.
Read more