Tony Tony Font

Tony Tony Font

Tony Tony Font
6 OTF 6 WOFF
Introducing Tony Tony - a clean and simple sans serif font, with sharp and smooth edges. Perfect for logo designs, headers and big or small amounts of text. It contains uppercase and lowercase characters within the 6 fonts, round and sharp edges.
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Noir Font Family

Noir Font Family

Noir Font Family
24 TTF
Noir is a sans serif font family of 12 fonts with contemporary aesthetics heavily influenced by early 20th century geometric typefaces. While having its geometric structure it carries organic personality with touch of warmth injected to each form.Noir font family ranges from light and elegant weights perfect for small text, to extremely heavy and masculine weights suited for large display sizes.Noir has a rich arsenal of Open Type features for highly professional use and extended Latin, Cyrillic and Greek language support.Noir is delivered as Std and Pro version. Cyrillic and Greek are available in Pro package only.
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BigCity Grotesque Pro Font Family

BigCity Grotesque Pro Font Family

BigCity Grotesque Pro Font Family
18 TTF
BigCity Grotesque for Bol’shoi Gorod magazine (Big City). The typeface, like other humanist sans serifs, is based on the structures of old-style serifs. BigCity Grotesque was the first magazine sans serif with Cyrillic ligatures. It was honored in 2009 in the international competition, Modern Cyrillic 2009. In the latest version, by Olga Pankova, the shapes of the letters have been updated, and there are new upright and italic styles, small capitals and new ligatures and non-alphabetic symbols.
BigCity Grotesque Pro, thanks to the wide range of weights and styles that it offers, has become a serious tool for meeting all kinds of typographical demands: from large displays to the most finicky typesetting.
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Asiyah Script Font

Asiyah Script Font

Asiyah Script Font
OTF TTF
Hooraaayyy! Asiyah Script is launching!... I would be very happy if you'll like it ;) Asiyah is a handwritten font with a unique character. Full of open type features, is best used in an open type aware software. Most diacritics are included and the font can be used with most of the European languages. There are more than 640+ glyphs in the font including Latin diacritics, discretionary ligatures, initial and terminal forms for all letters and ligatures, stylistic alternates,, etc
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Isidora Font Family

Isidora Font Family

Isidora Font Family
28 OTF
Isidora is a modern geometric font based on the classic typefaces of the early 21st Century yet with a contemporary and functional touch. In spite of its strong and rational structure, the font also looks friendly and expressive, thanks to its rounded terminals. In addition, its diagonal terminal cuts give it a softer and more rounded appearance.
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Rockwell Font Family

Rockwell Font Family

Rockwell Font Family
9 OTF
The first geometric slabserif, Litho Antique, appears as a sport from the Inland Typefoundry of St. Louis in 1910, distributed from Inland and then ATF. The 1933 Monotype updating of Litho Antique was supervised by F.H. Pierpont from Connecticut. Rockwell was prepared as a competitor to Memphis, but Pierpont ignored the detailing of the contemporary European slabserifs in favor of the earlier American model.
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Absinthe Script Font

Absinthe Script Font

Absinthe Script Font
OTF
Hello, I'm glad to share with you my new script Absinthe! I found my inspiration in Van Gogh's painting and his letters to brother. My interest was focused on calligraphic symbols which are inherent characteristic of the artist.
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Camica Display Font

Camica Display Font

Camica Display Font
OTF TTF
Camica font with simple models of natural and comic, with a font, you can take advantage of the opportunity at any time one wonderful way to highlight the celebration of the feast of your best, because these fonts will be a driving force for purposes such as cover design, wedding invitations, party , graduation, birthday, gathering, etc.
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BB Strata Font Family

BB Strata Font Family

BB Strata Font Family
7 OTF 7 TTF
The font family BB Strata was first designed for the visualization of scientific content of an exhibition and developed for publication. The construction of the letters consists entirely of right angles and 45 °-diagonals only . It contains 506 characters per cut and is divided into seven different faces – available in the versions optical (text) and monoline (heading).''
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Grifo Font Family

Grifo Font Family

Grifo Font Family
30 OTF
Grifo is an economic text face designed for magazines. It’s made to save space in long texts and in big, tightly set headlines. The family has three optical sizes: S, for text; M, for titles and L for big headlines. Each of these have five weights from Light to Black, with matching italics. Grifo’s design draws on the extreme hight stroke contrast of the neoclassic types but has bracketed serifs and sharp triangular terminals. Indeed, sharp spikes and hooks are one of grifo’s traits, specially in the L size. It’s full of talon shapes, like the c, e, the bottom curve of the t, or most obviously, commas and quotes. One other distinguishing quality is the prominently rational approach of the shapes, with very hard lines, as if the letters were cut with a scalpel. Vertical strokes all end with abrupt horizontal cuts and the baseline serifs of the letters a, d and u where cut off, to give the alphabet a harder and simplified edge, contributing also to save space. Grifo is the portuguese word for Griffin, the sharp-clawed, half-lion, half-eagle, mythological creature.
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HYPER DRIVE Font

HYPER DRIVE Font

HYPER DRIVE Font
2 OTF 2 TTF EPS Ai
It's loud, fast, raw, and guaranteed to propel your text into hyperspace. Hand-painted with distinctive rough brush strokes, HYPER DRIVE is bound to make a big impact on logos, apparel, quotes, product packaging & more.
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Foundry Wilson Font Family

Foundry Wilson Font Family

Foundry Wilson Font Family
4 TTF
Foundry Wilson is a lovingly drawn revival of a 1760 font from Scottish type founder Alexander Wilson, a learned and cultured man who crafted his types with care and skill. Many of Wilson’s fonts were produced exclusively for the Foulis brothers' classics published by Glasgow University Press. This creative relationship produced typography that earned the praise of their peers. A fresh alternative to the contemporary Baskerville, with a taste of the incised letterforms of its time, Foundry Wilson is a robust and lively type design that displays a beautiful colour and texture on the page.
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