Variety Font Family
2 OTF

Rosa Font
OTF
Inspired by Art Deco packaging, Rosa fits comfortably into that classic genre. It’s namesake in the collection of La Societe Parisienne de Savons is described thusly: In mythological legend, Chloris, the goddess of Spring flowers transformed the body of a nymph into the first Rose. Aphrodite gave her beauty. Dionysus, the god of wine gave her a sweet fragrance and the Three Graces, charm, joy and radiance.
Equally compatible with Machine Age, Streamline, Moderne and even Memphis design motifs, it presents the unique option of serving as both the typographic and decorative components of a design. Use Rosa to evoke a sense of elegance, high style and historical context.

Acherus Grotesque Font Family
16 OTF
Acherus Grotesque is a sans serif font family. This typeface has sixteen styles and was published by Type&Design. Acherus Grotesque includes 10 OpenType features including Proportional Figures and Standard Ligatures making this font a great value. Acherus Grotesque has extensive Latin language support.

Gordis Font Family
6 OTF
Gordis is a letter to display ideal for situations humorous and tender, based on rounded shapes that weigh about their weight. It comes in three versions combined Open Type, which can be used in layers for special effects.

Odile Font Family
8 OTF

The Redlight Font Duo
3 TTF 3 OTF
The Redlight Font Duo is a beautiful Script, It suitable for wedding invitation, greeting cards, T-Shirt, Logo or any design that you create.comes with a complete set of standard characters, Alternates, Punctuation & international glyphs

Rufina Stencil Font Family
9 TTF
Simplicity, delicacy and elegance are the words that best characterize Rufina. Based on an idea that was conceived long before its “birth”, Rufina was created from dark-text on light-background combinations. Refined and at the same time distant, Rufina seduces the viewer in a subtle and elegant manner. Blending of contrasty, Bodoni-influenced forms with the emotive touch of the calligraphers pen. This family consists of two weights, their italic counterparts, plus a set of alternate cuts — each containing a selection of illustrative ornaments.

Classic Grotesque Font Family
56 TTF

HaruNami Font Family
4 OTF
HaruNami (“spring wave”) fuses Japanese ornamentation with the Roman alphabet. All the motifs in the typeface are based on traditional Japanese wave ornamentation. HaruNami has a unique stylistic system that ranges from Simple to Ornate. The Simple font is a purely functional sanserif that is ready to use as text type. The three other styles, Decorative, Embellished and Ornate, progressively apply the wave ornamentation to the capital letters. HaruNami Complete ships as a unified OpenType font, and as a set of individual fonts. If you're using an application that supports OpenType features, we recommend using the Unified font. The three decorated styles will be accessible as feature sets. Otherwise, you can install the individual fonts and use them in any application. (It is also all right to install the Unified and individual fonts simultaneously.)

Zina Font
OTF
Zina is a stately and elegant inline serif face for display use. At its heart, this is actually an early-nineteenth century Didone-style design. Its serifs are light and only slightly bracketed onto the main strokes. Several letters have prominent ball terminals. The inline strokes in Zina’s letters are really the typeface’s most prominent feature. These inlines run through the middle of each letterform’s thick strokes, creating a jewell-like appearance. In order for Zina’s inlines and the thin serifs to shine, the typeface should only be used in applications that are subheadline-sized or larger.

Embryo Tiny Font Family
2 OTF
Embryo Tiny based on the Embryo Typefaces Embryo and Embryo Open. In contrast to its big brothers it is way more readable in smaller sizes and on screens. These superheavy cute fonts are perfect for games, children’s books, logos, posters and flyers. Special for the gamers: All numbers have the same width, so it is perfect for highscores.

Gothiks Condensed Font Family
6 TTF
This is the condensed version of Gothiks, a 6-weight display sanserif influenced by Texturas. It is ideal for everything big, compact and powerful. This family has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

Hoxton North Font Family
12 TTF
Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston’s typeface for the London Underground and Gill Sans.A humanistic san serif typeface with a British modern quality. Open forms with subtle contrast promote good readability across a wide range of media in both print and screen. The compact letterforms give it a strong lateral dynamic that is space efficient across design layouts. Details include 620 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.

Viabella TH Pro Font Family
8 TTF

Every Summer Script Font
OTF TTF WOFF
Every Summer is a dynamic, spontaneous typeface created manually using brush and marker. With a complete glyph available in the family, you can use Every Summer to create greeting card title, signature for design work, badge and sticker, logo and return address, some cover design and so forth, you decide!
Every Summer comes with complete accented glyphs for international languages and also, special ligature feature that allows you to create different look to your design.

Noise by EJT Display Font
OTF
Noise by EJTee. A collection of awesome textured brush stroke. Created with just a normal brush, sumi ink and a few piece of textured watercolor paper. The 'Noise' is born.

Aisha Font Family
8 OTF
Aisha originated from research about the Maghribi script – its regular Arabic weight is based on the foundry type Titus discovered in a 19th century book. In the process of design Titus reinterpreted the sources within the framework provided by current usage and technology. He developed a Latin face to accompany the Arabic, drawing both as independently usable, yet closely related typefaces. The Latin version of Aisha is one of the designs where the style of the Arabic version shaped the direction for the Roman letters, rather than the other way around. Drawing on research around Maghribi calligraphy, and inspired by expressive Moroccan lettering, the resulting designs feature generous curves and joyful variations, rendering Aisha a historically informed typeface for contemporary requirements, with a wide range of weights in both Arabic and Latin.

Tidy Script Font Family
4 OTF
Tidy Script is a cursive-style constructed sans. Almost all letters in the fonts connect. The typeface is inspired by engineering letters and obscure typewriter faces. Tidy Script’s letter structure is based on handwriting. Characters each have mild slant; about 7?. Counterforms are large, and the capitals are more decorative than the lowercase. When using Tidy Script, make sure to switch on the OpenType Contextual Alternate and Ligatures features. That way, you’ll have automatic access to the dozens extra glyphs in each of the fonts

Houseplants Font
TTF
Houseplants are commonly grown for decorative purposes, positive psychological effects, keeping fresh or health reasons such as indoor air purification. Actually, just like this font has a positive effect on your artwork!
This font comes with a heavy load of diacritics! On top of that, it has contextual alternates, which means your text cycles through 6 different versions of each letter! Hard to tell that this is actually a font!

Figgins Standard Font Family
13 OTF
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke contrast, stripped bare of serifs. To all intents and purposes these minimal expressions of utility were identical to 20th century functionalism. Recontextualizing one of the original sans fonts, Shinn offers an alternative proposition to the myth of modernism.