Alonquin Font

Alonquin Font

Alonquin Font
TTF
Alonquin is a typographical tribute to Dorothy Parker and the New Yorker crowd who haunted the Alonquin hotel in its 1920s heyday, sharing scintillating one-liners over sparkling cocktails. Deco and decadent, it aims to recapture the spirit of the age
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Spencerio Font

Spencerio Font

Spencerio Font
OTF
Spencerio’s letterforms are inspired by Spencerian-style calligraphy – which are usually written at a slope with a pointed pen. The natural state of each Spencerian stroke is a thin hairline; when the calligrapher wants to make a line thicker, she adds pressure to the nib. Sound easy? It takes years of practice for calligraphers to master the Spencerian style! Fortunately, designers can use this font instead. Spencerio helps make monogram design easy, and the font is a good selection for any application where a formal script is necessary, such as calling cards, diplomas, or wedding invitations. Spencerio’s character set offers 673 glyphs, including ligatures and alternates for initial and final letters.
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Citadina Font Family

Citadina Font Family

Citadina Font Family
12 OTF
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearence and a slightly condensed design which makes it particularly effective for space economizing. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines.Citadina consists of 12 styles. Each containing small caps and glyph coverage for several languages.
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Vindemia Sans Serif Font

Vindemia Sans Serif Font

Vindemia Sans Serif Font
TTF
Vindemia is everything you could want in a simple condensed font. Taking inspiration from classic packaging, and the vibes of the outdoors, Vindemia is a great addition to your font collection. From laying typography over a beautiful photo, to creating that classic packaging you have always wanted to, Vindemia works with all of your needs. Classic Typography is a look that will never die, and Vindemia fits perfectly into that category.
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Rosaline Font

Rosaline Font

Rosaline Font
TTF
Rosaline is a casual script face, inspired by brush-lettering. Its letterforms are wide and have high stroke contrast. Being a connected script design, Rosaline’s letters all connect with one another (even the ‘@’ connects, which creates great-looking e-mail address settings). Text set in Rosaline looks as if it had been written quickly, and everything bounces a little bit. The numeral are oldstyle figures, differentiating Rosaline from many other informal scripts. Rosalie is a great fit for shop, cafes, and restaurant identities, as well as for holiday cards and invitations.
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Thug Font Family

Thug Font Family

Thug Font Family
2 TTF
Thug Plain and Thug Rough are two heavy slab serif fonts optimised for posters. The thick strokes and serifs are the typeface’s predominate features. Despite looking so dark, Thug channels contemporary design ideas more than it calls back to poster-sized wood types from the 19th century. Thug Rough’s character set includes 155 more glyphs that Thug Plain. This allows each letter to come in three versions, all with unique roughed-up effects to help users to avoid headlines where identical letters appear closely together.
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Scrans Font Family

Scrans Font Family

Scrans Font Family
8 TTF
Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It’s main purpose is to make the difference in an innovative manner. In other words, you can use Scrans in texts where traditionally the classic scripts won’t fit. Scrans is a powerful tool that helps you to obtain clean, minimalists, geometric, contemporary, and mostly, highly legible designs. Each detail in the design of Scrans (like it’s compact proportions, it’s soft connections, it’s cutted endings and it’s subtle slant angle), was carefully crafted so you can get a high quality font to use in any project. You can also take advantage of its Open Type features that improve the potential of the typeface, with stylistic alternates and the options to underline smartly the words. Each one of the eight weights supports many languages, including Central and Eastern European as well as Western European languages.
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Chandler 42 Font Family

Chandler 42 Font Family

Chandler 42 Font Family
OTF
One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled “m,” filled in gaps in the most-used characters; even the number “4” is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.
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