3DLut, Cube | Adobe CS6+ | CM 228236 | 498 MB

ATN | Adobe CS1+ | CM 228347 | 826 KB

Layered PSD | Adobe CS4+ | 4133 x 2362 px | CM 225682 | 171 MB

ATN, JPG | Adobe CS3+ | CM 225666 | 23,2 MB

Photoshop ATN | Minimum Adobe - CS4 | 18 KB

Photoshop ATN | Adobe CS2+ | 295 KB

Photoshop ATN | Adobe CS2+ | 2.5 MB

LRTemplate | Lightroom 4 - 5 | 3.5 MB

Photoshop ATN | Adobe CS2+ | 151KB

4 OTF | JPEG Preview | 2.36 MB RAR
Hand lettered with a felt tip market, Porter makes a great addition to your growing font collection! Comes in FOUR weights : Light, Normal, Semi Bold and Extra Bold

4 Fonts | OTF
Picastro Bold by TypeFaith Fonts is a firm script with lovely swashes. It is a characteristic font with a retro feel. It contains a full set of ligatures, alternatives, swashes and special characters to end. The OpenType layout features can be used to position or substitute glyphs.

3 OTF Fonts

Type designer Hannes von Dohren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.
OTF | 16 Fonts | JPEG Preview | 3.9 Mb RAR

After doing this for so many years, one would think my fascination with the old history of writing would have mellowed out by now. The truth is that alongside being a calligraphy history buff, I'm a pop technology freak. Maybe even keener on the tech thing, since I just can't seem to get enough new gadgets. And after working with type technologies for so many years, I'm starting to think that writing and design technologies as we now know them, being about 2.5 post-computer generations, keep becoming more and more detached from what the very old humanity arts/tasks they essentially want to facilitate. In a world where command-z is a frequently used key combination, it’s difficult to justify expecting a Morris-made book or a Zaner-drawn sentence, but accidental artistic “mutations” become welcome, marketable features. When fluid pens were introduced, their liquid saturation influenced type design to a great extent almost overnight ? an influence professional designers tend to play down. Now round stroke endings are a common sight, and the saturation is so clean and measured, unlike any liquid-paper relationship possible in reality. Some designers even illustrate their work by overlaying perfect circles at stroke ends, in order to illustrate how “geometric” their work was. Because if it’s measured with precise geometry, it’s got to be meaningful design.
OTF | 5 Fonts | JPEG Preview | 42.5 Mb RAR

A modern geometric typeface evolved from a systematic grid. The consistency of form lends itself to a wide variety of applications and used at large scale creates a powerful impact. Also the characters have compact widths allowing for a great economy of space across layouts. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.
OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR

2 TTF Fonts

OTF Font

3 OTF Fonts

3 OTF Fonts

2 ATN | Png preview | 10,1 Mb