Platinum Logo 17930183
Platinum Logo 17930183
After Effects Version CC 2015, CC 2014, CC, CS6, CS5.5, CS5 | 1920x1080 | No Plugins
After Effects Version CC 2015, CC 2014, CC, CS6, CS5.5, CS5 | 1920x1080 | No Plugins
POSITIVE 15723085
POSITIVE 15723085
After Effects Version CC 2015, CC 2014, CC, CS6 | 1920x1080 | Element 3D v2
After Effects Version CC 2015, CC 2014, CC, CS6 | 1920x1080 | Element 3D v2
Watercolor Abstract Background Pack 1614652
Watercolor Abstract Background Pack 1614652
PNG, JPG | 672 Mb
PNG, JPG | 672 Mb
Facebook Cover For Construction Business 20168141
Facebook Cover For Construction Business 20168141
Photoshop PSD | 851x315 | 4.8 Mb
Photoshop PSD | 851x315 | 4.8 Mb
100% Editable And Help File Included.Text,Font,Color Image Can Be Altered As Needed.
20 Facebook Timeline Covers V3 20164194
20 Facebook Timeline Covers V3 20164194
Photoshop PSD | 145 Mb
Photoshop PSD | 145 Mb
Fully editable and vector shape so it can be easily change its text, color & shape. FB Cover Timeline for Multipurpose
F37 Ginger Font Family
F37 Ginger Font Family
OTF 8 TTF
F37 Ginger started out life as a pure Swiss modernist font, but as time went by, we just couldn't suppress the urge to give it an original and unorthodox geometric twist. We found ourselves repeatedly returning to the work of two legendary typographers throughout F37 Ginger's drawing process, namely Paul Renner and Herb Lubalin. Their early letterforms have been a constant source of inspiration. It was the alternatives in Renner's Futura font and Lubalin's Avant Garde Gothic, in particular, that paved the way for F37 Ginger's signature geometric shapes, and unusual near circular, counters. This makes it an ideal font for logos, headlines and body copy.
OTF 8 TTF
F37 Ginger started out life as a pure Swiss modernist font, but as time went by, we just couldn't suppress the urge to give it an original and unorthodox geometric twist. We found ourselves repeatedly returning to the work of two legendary typographers throughout F37 Ginger's drawing process, namely Paul Renner and Herb Lubalin. Their early letterforms have been a constant source of inspiration. It was the alternatives in Renner's Futura font and Lubalin's Avant Garde Gothic, in particular, that paved the way for F37 Ginger's signature geometric shapes, and unusual near circular, counters. This makes it an ideal font for logos, headlines and body copy.
ITC Lubalin Graph Full Family
ITC Lubalin Graph Full Family
18 OTF 20 TTF
ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin’s previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jorgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.
18 OTF 20 TTF
ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin’s previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jorgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.
BC Reformulate Font Family
BC Reformulate Font Family
8 TTF
There aren’t many fonts on the market which naturally and functionally combine strict rationality with humanistic calligraphy inspirations. Reformulate proves that even a non-proportional font, created using a very simple principle of shadowing, need not appear cold, drab and artificial. Jakub Samek displays a good sense of balance between the traditional and the calculated, between banal and thought-out. For him, optical impression and an aspiration for perfect legibility are more important than the perfect consistency of individual characters, taking a free, but educated approach. A geometrical construction, wrapped in an Illustrator brush stroke, was placed onto a cone of uniform width, as dictated by the tools and the grid. In spite of its coarseness in both principles and implementation, Reformulate later found a somewhat surprising application for its use.
8 TTF
There aren’t many fonts on the market which naturally and functionally combine strict rationality with humanistic calligraphy inspirations. Reformulate proves that even a non-proportional font, created using a very simple principle of shadowing, need not appear cold, drab and artificial. Jakub Samek displays a good sense of balance between the traditional and the calculated, between banal and thought-out. For him, optical impression and an aspiration for perfect legibility are more important than the perfect consistency of individual characters, taking a free, but educated approach. A geometrical construction, wrapped in an Illustrator brush stroke, was placed onto a cone of uniform width, as dictated by the tools and the grid. In spite of its coarseness in both principles and implementation, Reformulate later found a somewhat surprising application for its use.
Bianco Serif Font Family
Bianco Serif Font Family
8 TTF
Bianco Serif is the second member of the type family Bianco. The addition of geometric serifs and slanted curves changes the tone and character of text with increased contrast. An excellent companion to Bianco Sans.
8 TTF
Bianco Serif is the second member of the type family Bianco. The addition of geometric serifs and slanted curves changes the tone and character of text with increased contrast. An excellent companion to Bianco Sans.