Calcula Font Family
5 OTF 5 TTF
Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Inspired by the geometric Kufic style of traditional Arabic calligraphy, Calcula is a functional OpenType typeface, with design principles that are rooted in lettering, in that each letter reacts to neighbouring letters, adapting to its context.

Summa Font Family
3 OTF

FS Siena Font Family
14 OTF
FS Siena is a typeface with history, and not just in the sense of having its origins in classical Roman lettering. Fontsmith founder Jason Smith first committed it to tracing paper while still at college, instinctively redrawing letterforms based on Hermann Zapf’s Optima according to ‘what felt right’. When Krista Radoeva took up the challenge to edit and extend the typeface, she and Jason were determined to preserve its subtly nonconformist and eclectic spirit. Like a great dish, there are individual components throughout the character set that all add flavour, and need to be balanced in order to work together. The smooth connection of the ‘h’ ‘m’ ‘n’ and ‘r’ contrasts with the corners of the ‘b’ and ‘p’. The instantly recognisable double-storey ‘a’ – the starting point of the design – contrasts with the single-storey ‘g’ and the more cursive ‘y’. And only certain characters – ‘k’, ‘w’, ‘v’ and ‘x’ in the lowercase and ‘K’, ‘V’, ‘W’, ‘X’ and ‘Y’ in the caps – have curved strokes.

Superior Title Font Family
12 OTF
Superior Title is a high contrast Transitional typeface, a kind of missing link between Bodoni and Times. The Display styles are suitable for editorial usage, particularly for fashion and lifestyle publications.

Tiempos Headline Font Family
12 OTF
Tiempos Headline is a serif typeface designed by Kris Sowersby and published through Klim Type Foundry. It’s the display version companion to Tiempos Text, with tighter spacing and higher contrast for setting elegant headlines. Tiempos Headline is also available in more weights than the text version, including light, regular, medium, semibold, bold and black.

Portrait Inline Font Family
4 OTF
Portrait Inline is a beautiful, decorative addition to the collection, building on the inscriptional quality of the capital proportions. Portrait Inline Regular takes minimalism present in the rest of the collection to its logical extreme: sharply tapering outer strokes play against monoline inner strokes, with all extraneous detailing stripped away. The Inline Sans takes the structure of the Inline Serif, exposing the geometric underpinnings of the proportions, while adding a dimensional element through its overlapping strokes.

Rocher Font Family
9 OTF 9 TTF

Arial Rounded Font Family
4 OTF 4 TTF

Pompei Font Family
6 OTF

SST Thai Font Family
4 TTF

Mudstone Font Family
OTF TTF
The cool, the sans and the light: Mudstone fonts are proudly packed with nice oddities and quirks. These are definitely fonts for getting noticed, in an affirmative, authentic way. Mudstone fonts are all caps, each with at least 2 sets of uppercase letters that will cycle at the command of the contextual alternates feature. There are also stylistic alternates in each font, for that extra something. Critically cool, seriously creative, dangerously unique. Definitely trying? Cool!!

Independent Font Family
The Independent font family is a comprehensive suite of typefaces designed in 2013 for The Independent newspaper for their daily print and digital editions. The fonts were conceived and designed as a set of interconnected typefaces – sharing the same proportions and underlying structure – to create a coherent and balanced type family. In addition to the three master sets (Serif, Sans & Condensed), a special Serif Headline cut has been designed for display setting – a version of which is used for the newspaper’s masthead. Recently Sans Stencil and Slab fonts were added to the family to cater for a wider range of applications. The typeface was awarded top prize at the D&AD awards in 2014, and the Typeface Design prize at the Tokyo Type Directors Club awards in 2015.

Skinny Font family Carley & Co. 1540972
3 OTF 3 TTF
Carley & Co. is a skinny, all caps font family that comes in a Light, Regular & Bold version. This condensed sans-serif will look so fun on your cards & invites, and it works perfectly when pairing with other fonts.
WHAT'S INCLUDED Carley & Co. contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, alternates and international characters. You will receive a Light, Regular & Bold font in .otf and .ttf font files.

HK Nova Full Family
HK Nova is a sans serif typeface with 3 versions (Standard, Rounded and Narrow) that is inspired by the geometric Century Gothic and Futura. It formalizes Century Gothic and softens Futura to form a highly usable hybrid typeface.

Fivo Sans Font Family
OTF | 2 MB

Chiswick Poster Font Family
Chiswick Poster is designed for the largest sizes, of 80 point and above, for headlines in magazines, for posters, for shop signs, or anywhere else a seriffed letter with distinction and refinement is needed. An early version of Chiswick served as the primary display typeface in the 2010 redesign of O, The Oprah Magazine by Robert Priest and Grace Lee, where its beautiful forms, particularly in the Poster size, gave a breezy opulence to feature openers and section heads. The character set has been greatly expanded; small capitals, a variety of figures, and many alternates, swash forms, and other typographic details are included in all sizes.

Defender Font Family
For a counterbalance to sweet and tender Andulka and Etelka, we assumed to create some masculine font havig serifs looking like offroad tyre claws. Slab-serif typefaces have always been welcomed for designing of magazine headlines and posters. For both purposes an extreme x-height is useful as well as robust character build – typical features of all 30 designs of Defender type family. Named after a vehicle, whose brand is since 2008 owned by Indian Tata company. The font is also very usable for corporate identity and branding.

Comenia Serif Pro Font Family
Comenia was developed as typographic system (Comenia Sans, Comenia Script) for use on all levels of schools and universities. It introduces new aesthetic standards aimed at improving reading and writing skills and the perception of texts for pupils, students, teachers, office and IT staff at schools. It offers a clear, intelligible and universal graphic tool for layout of primers, textbooks, educational texts and materials, for electronic typography and for the information systems.

Comenia Sans Font Family
Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility.

Chiswick Sans Poster Font Family
Innovation in lettering almost always preceded the same innovation in typefounding. The sans serif letterform began to gain favor in the eighteenth century in areas of Britain long before its first appearance in Caslon’s specimen books. The higher contrasted variants, almost a modern serif form with the serifs removed appeared in the latter quarter of the 18th century and appeared in pockets of the country until Figgins pioneered them in type in the middle of the following century. The innovation of an italic has been added, making Chiswick Sans Poster an elegant and refined display face in a wide range of weights.