Bonewire Font Family
2 OTF
Thin, Ultra Condensed, Burned. Bonewire is distressed, shaky, rough, hand drawn. Title with it. Create graphics with it. Create patterns with it. Backgrounds. Frontgrounds. Double page spreadgrounds with it. Design with it. Headline with it. Text copy with it… no. Let it disappear like a signal at small sizes with Bonewire Burned (some call that Thin, or Ultra Condensed?) Bonewire Regular is the heavy version and Burned is the vampire thin version.

Buntaro Font Family
2 TFF
I am reading a great book by David Mitchell, called Number 9 Dream. One of the characters is called Buntaro, so I decided to call my new inky font after him. Like the book, Buntaro is quite unusual: it has no real baseline, comes with some strange characters, feels familiar, but surprises you nonetheless. It was made with a broken bamboo satay-skewer, Chinese ink and a lot of patience. Buntaro comes with a wealth of diacritics.

Parcival Antiqua Font Family
3 TFF
Schelter & Giesecke’s highly esteemed font family, cut by Herbert Thannhaeuser, freshly redesigned for present-day use.

ITC Silvermoon Font Family
2 OTF

Foundry Sans Font Family
9 TTF
This humanistic sans serif design was inspired by a conversation that David Quay had with renowned type designer Hans Meyer, during ATypI in Paris, 1989. Meyer revealed that Sabon, designed by Jan Tschichold, was the inspiration behind his Syntax font. This approach formed the basis for the design development of The Foundry’s very first sans serif typeface family; the inspiration for Foundry Sans comes from Stempel Garamond. Foundry Sans was the second typeface to be released for The Foundry typeface library in 1990.

Quinoa Font Family
48 TTF
Quinoa is display typeface by Catharsis Fonts that unites the seemingly opposed concepts of clean geometric architecture and organic humanist warmth. While it is designed for display and editorial purposes, its accessible forms make for comfortable reading even at text sizes. Its exuberant adaptive «f», «j», «Q» and refreshing titling alternates bring display text to life. Quinoa covers multilingual Latin, Cyrillic, Greek, Hebrew, Arabic, and Armenian.The Quinoa family spans three stylistic cuts (Quinoa, Quinoa Titling and Quinoa Round) with matching hand-slanted obliques, each of which comes in six weights. The Titling cut offers a number of alternate capital letter designs with lowercase-inspired forms for a refreshing unicase look, and the Round cut additionally removes the spurs from arched letters like n. A host of other OpenType features including ligatures, contextual alternates, small caps, figure sets, and character variants are built into all cuts. Furthermore, the small caps of Quinoa and Quinoa Titling are available as dedicated font files under the names «Quinoa SC» and «Quinoa Unicase» for ease of use.

Mixa Font Family
9 TTF
Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes - that’s the way Mixa was born. Those two faces of the new font family makes it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.

16 OTF

Skitch Font Family
11 OTF
Skitch from Yellow Design Studio is a funky hand drawn serif with regular, solid, and fill options. It’s loaded with features including double-letter ligatures, discretionary ligatures and stylistic alternates, and is accompanied by an eccentric collection of ornaments and a set of expandable borders that can be mixed and matched for endless fun!

Eina Font Family
32 TTF
Eina was designed as a corporate typeface for the design school “EINA, University Centre of Design and Art.” It’s not just a font to be used — Eina embodies an educational concept that transcends simple typographical use. Eina is a typeface to be explained and used to teach typography. The whole process of design and development is reflected in the publication “Four nuances of a typographical standard: A typeface for EINA.” Eina is a versatile and multipurpose sans-serif typeface, consisting of 32 original styles, organized into four categories: rational, humanist, geometric & industrial. Each category contains four weights with their corresponding italics. You can purchase the full family, each individual weights, or four packages with each categories.

Foundry Form Sans Font Family
9 TTF
Foundry Form Sans and Serif were drawn concurrently with matching proportions for harmonious use. Although designed to complement each other both families function independently. The Foundry Form Sans characters have a strong horizontal emphasis for readability; open counters to improve legibility at small sizes; and slightly condensed proportions to ensure economic use of space. Foundry Form Sans has a simplicity of design approach balanced with just enough character to achieve a unique, timeless look.

abc Allegra Font Family
14 TTF
Allegra by Jost Hochuli is a sans-serif mo­noline with classical proportions, in seven weights, roman and italic. It was designed principally for book typography. As the counters are open, Allegra is also suited for signage and lettering. All fonts are provided with sufficient accents to be usable for virtually all scripts based on the Latin alphabet.

NT Wolf Font Family
4 OTF
Wolf is a package of four fonts. Wolf is perfect for multi-layered typography and the use of color in type. Wolf allows the user endless possibilities in color. Wolf is perfect for designing sophisticated logo’s, fashionable headings or other beautiful display typography for print or web. The complete glyph set of Wolf contains a lot of extra elegant glyphs, swooshes and ligatures.

ViabellaT H Pro Font Family
8 OTF
The script version of the typeface Viabella introduces us to the calligraphic side of the Berlin type designer and typographer Karl-Heinz Lange. The sketches for this script typeface, which resulted from the close cooperation with Veronika Elsner and Gunther Flake, found their roots in sketch drawings which Karl-Heinz Lange had already drawn in the 1980’s.

Ave Font Family
6 TTF
The Ave family is a soft, flowing script typeface. It comes in three thicknesses; the thin Ave Utan, the medium Ave Betwan, and the bold/fat Ave Fedan. All the fonts contains OpenType swashes and contextual alternates to give you the option to add a natural, custom and decorative touch. The swashes can also be found in the included Swash version.

Foundry Gridnik Font Family
10 TTF
The new Foundry Gridnik typeface family features an expressive range of 10 weights – from Light to Extra Bold, each with accompanying Italics.Foundry Gridnik was developed from the single weight monospaced 'typewriter’ face, originally created by Dutch designer Wim Crouwel in the 1960s. Crouwel’s devotion to grids and systems led to his affectionate nickname of ‘Mr Gridnik’, and this inspired the new typeface family name. Foundry Gridnik’s distinct geometric design has been described as ‘the thinking man’s Courier’. Crouwel said, ‘I am a functionalist troubled by aesthetics’, and although Gridnik is based on logic, rationality and strict adherence to the grid, it also has a human dimension that sets it apart.

Belle Sans Font Family
98 TTF
Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

Marvaloha Font Family
4 OTF
Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular and a Bold version. Both have matching Italics. All four styles have double letter ligatures and a set of symbols and catchwords to give your design some extra power.
You will need an Open Type Savvy Application to get the most out of Marvaloha.

Interval Next Font family
64 OTF
Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With Its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next have a creative palette able to meet the modern typographic demands.

KG Miss Kindy Collection Font Family
2 OTF
A collection to accompany KG Miss Kindergarten with various weights and fills.