Mitram Font Family

Mitram Font Family

Mitram Font Family
14 OTF
The Mitram family has 7 weights, ranging from Thin to ExtraBold (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design.
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Grosse Pointe Metro Font Family

Grosse Pointe Metro Font Family

Grosse Pointe Metro Font Family
6 TTF
Grosse Pointe Metro™ is GroupType's version of W.A. Dwiggins' 1930 Metrolite. Metrolite was first commissioned by Mergenthaler in 1929 to bring a slightly more human and friendly design choice to compete in the US with the highly popular European, geometric sans serif typefaces of the time including Paul Renner's Futura. However, Dwiggins’ best efforts proved that human warmth had little to do with cool geometry; for twelve years, until the introduction of Spartan, Mergenthaler lost ground to Intertype’s licensed version of Futura.
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Neato Serif Font Family

Neato Serif Font Family

Neato Serif Font Family
2 TTF
Neato Serif is a hand drawn, quirky serif font in regular and italic styles. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of sophistication with its high contrast of thicks and thins and also playfulness with the distinct ball terminal characters—especially evident in the lowercase "e". It is slightly condensed and great for display headlines, titles, packaging, branding, and more.
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Tabasco Font Family

Tabasco Font Family

Tabasco Font Family
3 OTF
SoftMaker revives John Schaedler’s popular Tabasco typeface with this release. SoftMaker’s Tabasco comes in regular and bold styles, and the famous bi-line variant (sometimes called “Paprika”) is also available again under the name Tabasco Twin.
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Amelia UP! Font Family

Amelia UP! Font Family

Amelia UP! Font Family
4 TTF
Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the differents styles alows Amelia to work as a text or display font.
Also it incorporate a Up version, that incorporate calligraphic features that adds a touch of infromaliy.
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Latin Font Family

Latin Font Family

Latin Font Family
3 OTF
Latin is a retro, vintage and decorative styled serif type design. It works beautifully when used in headlines for posters, but can also be spiced up to work in fashion and branding projects as well. Latin was designed by Achaz Reuss in 1993.
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URW Grotesk Font Family

URW Grotesk Font Family

URW Grotesk Font Family
59 OTF
URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.
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Ermis Pro Font FAmily

Ermis Pro Font FAmily

Ermis Pro Font FAmily
6 OTF
Ermis Pro is a cross between a perfectly finished, comprehensive, classically cut old face type and handwriting. It combines the slightly irregular contours you see in very small letter sizes caused by the flow of ink on paper with the elegant look and feel of a serif font. This makes Ermis Pro the perfect choice for stylish printed materials with a personal touch, doubtlessly winning fans in the worlds of fiction and fantasy alike.
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Pensum Display Font Family

Pensum Display Font Family

Pensum Display Font Family
18 OTF
Pensum Display is the triangular and spiky packmate of text monster Pensum Pro. Designed to be used for anything big and for nothing that isn’t big, Pensum Display is a sharp, high contrast design ready to take on display and headline uses. Distilled from the text-focussed Pensum Pro, Pensum Display embraces extremes. Triangular serifs, spikier detailing, and tighter spacing, Pensum Display brings dynamism to short text in posters, headers, titles, or anywhere where its deep ink traps and high contrast can work their magic.
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Conthrax Font Family

Conthrax Font Family

Conthrax Font Family
14 OTF
Conthrax is an ultramodern, orthogonal sans-serif typeface with plastic forms influenced by consumer electronics and vehicle design. Mathematical symbols, fractions, numeric ordinals and monetary symbols are in good supply. Cyrillic, Greek, Vietnamese and almost all Latin-based languages are supported. Conthrax is available is seven weights and italics. The desktop license for Semi-Bold is free.
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Charles Wright Font Family

Charles Wright Font Family

Charles Wright Font Family
6 OTF 6 TTF
K-Type Charles Wright is a full typeface in the style of lettering used for British vehicle license plates. The family includes the standard Bold weight which is based on the condensed bold ‘2001’ style with an uppercase which conforms to UK registration plate specifications for character heights of 79mm and widths of 50mm.
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Big Font Family

Big Font Family

Big Font Family
20 OTF
BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif.
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Neustadt Font Family

Neustadt Font Family

Neustadt Font Family
3 OTF
Designed by Joern Oelsner, the Neustadt font family was originally designed as a corporate font for Sport 2000, one of the leading buying groups in the European Sport Retail Industry. After it has been successfully established, it is now available in a revised version for the general market.
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