Life is an elegant and beautiful serif design by Francesco Simoncini, W. Bilz, created in 1965.

Quador is a squarish serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With rounded serifs Quador provides a soft and friendly atmosphere. The font contains 6 weights from light to ultrabold plus true italics. 1.115 glyphs include 187 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language and cyrillic support for every typographical needs. Quador is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Shiraz is a multi-weight sans serif display font family, perfect for poster and print design, invitations and much more! It is really easy to play with Shiraz, just combine the 4 styles together. Please note that all styles are different from each other, the letters are not identical in the outline font!

URW Garamond is a 56 font weight family published by the German type foundry URW. Garamond is the name given to a group of old-style serif typefaces named for the punch-cutter Claude Garamond. Most of the Garamond faces are more closely related to the work of a later punch-cutter, Jean Jannon. A direct relationship between Garamond's letterforms and contemporary type can be found in the Roman versions of the typefaces Adobe Garamond, Granjon, Sabon, and Stempel Garamond.

Designed in 1982, Nimbus Roman is a serif font release by URW (Monotype). Contains language support for West, East, Turkish, Baltic, and Romanian.

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.

Margem was designed to cross different situations. Its humanist sans-serif construction is a solid base for legibility down to the smallest sizes; upon this, geometric shapes bring to life a contemporary design, which goes further towards geometry with stylistic variations on specific letters, shining at display sizes. Plus, a Rounded version puts a smile in any message with its friendly corners. True italics accompany all of these variations summing up to 28 fonts, designed for any situation.

Stay Wanderer 3 Font Family Pack features unique and modern serif look and feel. Perfect for gorgeous logos, titles, web layouts and branding. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless.

An outstanding informal display typeface that beautifully captures the spontaneous qualities of hand-rendered brush lettering. Freestyle Script features an extensive lower case font including ligatures so that every conceivable letter combination can be linked, ensuring a fluid, brush-rendered effect. The capitals can also be used alone in word settings. Created by the talented British lettering designer Martin Wait.

Garamond No 4 is a classic and elegant serif font, designed by Herbert Thannhaeuser in 1955. Garamond No 4 contains West, East, Turkish, Baltic, Romanian language support.

Futura No. 2 is Letraset's version of Futura from the 1980s, digitized by and at URW in opentype format. Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is no other font that can do what it does with the same impact. You might say Futura is to Helvetica as driving a Porsche is to driving a Toyota--they both get you there, but the former does it with so much more fun.

This is URW's digitization of the famous Franklin Gothic, the realist sans-serif typeface originated by Morris Fuller Benton in 1902. The typeface continues to be seen in many high-profile situations, from books to billboards, was featured on the cover of Lady Gaga's second album, The Fame Monster, is the official typeface of the Museum of Modern Art in New York, and was even the resident typeface of the PBS series The Electric Company. Franklin Gothic Condensed was also used for subtitles in the Star Wars films.

Taking the name from substance of the best quality perfumery, Musk present an elegant form of high contrast sans serif combine with an expressive connected script. The sans serif contain three weight; regular, medium and bold within it’s quality for display and also text. Each glyphs shown an unique variation of forms, especially the terminals in regards to achieve legibility and readability.

The Luiston is a serif that is decorative and antique and elegant. The neat and beautiful font shape makes this font easy to remember as a modern font. The luiston font is packed with alternatives, making it a versatile type that can be used in various projects. No matter what type of project you are working on, this font can help you simplify your work. This font is very representative of vintage modern and minimalist way. These fonts include alternative characters and beautiful ligatures! This font is multi functional, perfect for logo design, magazine, poster, packaging, christmas gift, wedding, or elegant invitation card.