Harajuku Script Font Family

Harajuku Script Font Family

Harajuku Script Font Family

Harajuku Script is an ‘easy-on-the-eye’ script font. I made it with a Japanese brush pen. The font is quite stylish, so I named it after Tokyo’s Harajuku area, which is known internationally as a center of Japanese youth culture and fashion. Harajuku Script would look good anywhere, but product packaging, websites and magazines could profit from this handwritten gem.
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Bethadyn Font Family

Bethadyn Font Family

Bethadyn Font Family
2 TTF
Bethadyn is a handwritten letter type with simple look and readability. Betadyn consists of 2 types of letters: Regular and Outline and comes with a set of characters that support different languages and is designed for various needs, you can use for watermarks on photography, quotes, branding, business cards and many other designs.
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Taro Font Family

Taro Font Family

Taro Font Family
16 OTF
Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively.
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Sul Mono Font Family

Sul Mono Font Family

Sul Mono Font Family
5 TTF
Sul Mono is a geometrically constructed monospaced family of five fonts. It is the fixed width version of Sul Sans, a typeface with features observed in capital letters on signs and buildings in Portugal.
Sul Mono’s glyphs width is the standard, so it takes the exact same horizontal space as popular monospace fonts, like Courier or Andale Mono.
The name Sul (South), hints to a southern european flavour on a typically northern style of typeface.
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Atlantica Font Family

Atlantica Font Family

Atlantica Font Family
3 TTF
It comes in three variants. Atlantica Signature offers all the original letters designed by Pellisco with alternates available as glyphs: it's mostly suited for display use. For text usage, Atlantica Text offers better readability by adopting a more restrained lowercase t and giving some small adjustments to the typeface. Finally, Atlantica Display offers a flamboyant logo typeface version, with multiple automatic ligatures making extreme use of open type substitutions, to transform every text in a lettering work of art.
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Metrisch Font Family

Metrisch Font Family

Metrisch Font Family
12 TTF
Metrisch is new sans serif typefamily of seven weights plus seven italics uprights in each weights. The typefaces designed based on traditional geometric construction that have been built with letter size wider, the x-heights taller and short descender that almost proportioned with the basic letter shape. With little details added like clean vertical cuts on the terminals and optimized sharp corners that makes this fonts smooth and refined looks. It was represents the flavor of the most common humanist typefaces style and grotesk feels.
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Autor Font Family

Autor Font Family

Autor Font Family
14 TTF
Autor is a medium-contrast sans serif font with a dynamic stroke modulation. Its clean look and angled terminals give your designs a ‘sharp’ and contemporary feel.
Autor Family comes in 7 weights, ranging from Thin to Black, with matching italics, resulting in a total of 14 styles.
Autor is well-suited for editorial design, body text in books and magazines, headers and titles. It can also be used—as a display font—for logotypes, branding, advertising and publishing.
The font includes a character set containing more than 400 glyphs that support over 200 languages.
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Handel Gothic Font Family

Handel Gothic Font Family

Handel Gothic Font Family

Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. The fonts were originally distributed in film format by PhotoStar, now brought back to life by URW++.
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Kunst Font Family

Kunst Font Family

Kunst Font Family

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).
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Stolzl Display Font Family

Stolzl Display Font Family

Stolzl Display Font Family

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stolzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.
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Impressum Font Family

Impressum Font Family

Impressum Font Family

Designed by Dr. Konrad F. Bauer and Walter Baum in 1964, Impressum is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Impressum is a registered trademark of Bauer Types SA.
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Big Fish Font Family

Big Fish Font Family

Big Fish Font Family

Big Fish Casuals is a sturdy casual lettering font with same stroke shapes as the script. Casuals works great with the script but is also a strong font by itself. All Big Fish fonts have wide language support and cover even Cyrillic alphabets. Big Fish is a tremendous pack for any display use from branding to packaging and online to print.
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Studio Gothic Font Family

Studio Gothic Font Family

Studio Gothic Font Family
24 OTF
Studio Gothic is a geometric sans typeface that takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicita (simplicity in Italian) created in the 1930s.
Each of Studio Gothic variant features a range of eight weights from thin to fat, coverage of over 40 languages using the latin alphabet plus Greek and Cyrillic and a wide array of open type features.
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