Mr. Lonely is a brush font. It contains a full set of lower & uppercase letters, large range of punctuation, numerals, ligatures, cyrillic characters and multilingual support.
Perfect for logos, quotes, posters, branding projects, product packaging, t-shirt and applicable for any graphic design.

Shyta Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.
Introducing
ScriptShyta Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!!
Shyta Script come with 364 glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Amithen is textured brush font, contemporary approach to design, handmade natural with an irregular baseline. Suitable for use in title design. Such as apparel, invitations, books tittle, stationery design, quotes, branding, logos, greeting card, t-shirt, packaging design, poster and more. Amithen includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures.

Amastery is a script font with lots of alternative glyphs plus a complementary font and lots of cliparts in font format as well as EPS, PNG and SVG.
The best tool if you want to create t-shirt designs, mug designs, or just play around.

Let me introduce you the font Waterlife. It flows like a signature while you type it. It really shows the art of hand-work. It is very legible even though its nature looks like it has extreme lines. It is really unique in this regard. Awesome!

With extra chunk in the trunk and a rough paintbrushed edge, Stay Bold cuts straight to the point; ideal for designing big impact merchandise, eye catching social media & marketing posts, and attention-grabbing product packaging & branding projects.

Faito is a handwritten brush font inspired by text balloons in Japanese comic book with a neat brushy look. Suitable for food and beverages restaurant menu, branding, packaging, summer theme, or your next comic book.

A hand-lettered font for you lady bosses. Perfect for feminine logos and Instagram quotes. Also works great for stationery, cards, posters, headers and more! Pairs well with other script and brush fonts!

On a visit to Belgium and the Netherlands while still an MA student at Reading University, Eleni Beveratou made some important discoveries. First, there was the letter ‘g’ from the Didot family seen at Plantin Moretus Museum in Antwerp, which seemed “almost like a mistake”. Then there were strange details such as the serifs on the “l”, “h”, “k”, “b” ?and “d” in Egmont Cursive and other typefaces by Sjoerk Hendrik de Roos, found in volumes of poetry she picked up from a chaotic bookshop in Amsterdam. These were characters that stood out from the text but seemed to blend harmoniously with the rest ?of the letters. “And there it was, the spark. ?I decided to design a typeface that would capture the details of the process of writing.”

FS Albert Narrow is a narrow version of FS Albert Pro, designed by Jason Smith. But, drawn from scratch, it’s more like a font in its own right, as Jason Smith explains. “The challenge in designing a narrow version of a typeface based on an existing design is not to make it to look squashed. “There comes a point in condensing a font where it becomes broken. You can usually automatically squash something by 10% and it will still look OK. But by the time you’ve squashed it by 25% the type looks ugly and needs redrawing. So we drew it all manually in order to ensure the design integrity was kept while still fulfilling the need to save space.”

2003. Fontsmith was sharing a small, cold, whitewashed studio space in Northburgh Street, Clerkenwell. But things were on the up following prestigious custom type commissions for The Post Office and E4. “Slab serifs were on the brink of another revival, we could feel it,” says Jason Smith. “All we wanted to do was have a play with these slabs, go as far as we could within what was acceptable and readable.” “It wasn’t initially clear what was happening,” recalls Phil Garnham. “We were becoming very influenced by our surroundings, outside the studio space. We absorbed the essence and the designer grime of where we were.”

Fyodor provides powerful headlines and dramatic titling for editorial projects. The typeface design features balanced oblong and square geometric spaces, inside the classic forms of the Constructivist-era typefaces. The font family comes in 274 characters with Latin, Western European, Cyrillic and Greek language support, and is available in a bold weight with regular, condensed and expanded styles, both normal and oblique.