Stencil font 1694704

Stencil font 1694704

Stencil font 1694704
4 OTF 4 WOFF EPS
The Stencil font is a modern font for your design. four types of font use in application and websites use for poster and baner In the archive there is a set of necessary files (EPS., TTF., OTF)
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Eksell Display Font Family

Eksell Display Font Family

Eksell Display Font Family
Eksell Display is a unique typeface from 1962, designed by the legendary swedish designer Olle Eksell (1918–2007). Olle was a prolific artist who couldn’t resist sketching out whatever ideas came to mind. His work covered a broad range, but this was the only complete typeface. The letters were drawn in Olle’s five square meter studio in Stockholm, six years after he designed the classic Mazetti eyes. We carefully digitized the letters and developed a family of four optical styles, including a stencil version. Have fun with it, we think Olle did.
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Jerrad Beautiful Serif Font Family 1678268

Jerrad Beautiful Serif Font Family 1678268

Jerrad Beautiful Serif Font Family 1678268
OTF, TTF, WEBFONT | 2.1 Mb

Jerrad A Beautiful Serif Font Family is a clean and beautiful serif font family, which contains 4 weights and Jerrad features unique and modern serif look and feel. Perfect for gorgeous logos, titles, web layouts and branding. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless.
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Shore A Carefree Font Family 1647710

Shore A Carefree Font Family 1647710

Shore A Carefree Font Family 1647710
6 OTF 6 TTF 6 WOFF | 747 Kb

Shore is a carefree sans-serif font family, that has been designed to create fun yet sleek designs and branding. It works well for pretty much anything, due to its clean and contemporary lines and rounding. it works especially well for industries such as apparel, perfumes & colognes, food & drink, beauty, travel and homeware.
Shore comes with the original font, plus the italic, rough and rounded versions, so you can use it for your entire project without needing anything else. Alternatively it pairs great with script fonts or thin sans-serifs.
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Bracken A Hipster Font Family 1647711

Bracken A Hipster Font Family 1647711

Bracken A Hipster Font Family 1647711
6 OTF 6 TTF 6 WOFF | 486 Kb

Bracken is a hipster font family, designed to add an edgy, modern and casual style to all your designs. Bracken comes with its original font, rough, rounded and italic versions, so you won't need anything else to create amazing work!
Bracken has been designed for up and coming businesses, branding, signage, and logotypes, but is versatile enough to work with anything you choose! It works particularly well for the food and drink, beauty, hospitality and events industries.
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CHAOS Display Font 1693575

CHAOS Display Font 1693575

CHAOS Display Font 1693575
TTF
I am so pumped to present CHAOS! After creating some custom type with a wavy effect and some gritty textures, I was inundated with messages from people on Instagram asking me how I did it. To save you all the work, I decided to create an entire display font! With numbers and punctuation on the way, CHAOS is a super rad way to spice up your website, social media profiles and even branding.
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Nigma - Brush Font 1665384

Nigma - Brush Font 1665384

Nigma - Brush Font 1665384
OTF, WOFF | 431 Kb

Nigma is a handmade brush font with alternate letters. It includes multiple uppercase letters, numbers, punctuation and multilingual features. The boldness and the roughness of the font makes it great for quotes and titles. Toggle caps lock to use the alternate versions of the letters.
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Pauline script font 1644235

Pauline script font 1644235

Pauline script font 1644235
TTF OTF | 334 Kb

Pauline - a new fresh & modern script with a calligraphy typeface, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!
Pauline come with 486 more glyphs. The alternative characters were divided into several Open Type features such as Stylistic Sets, Stylistic Alternates and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer
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Retiro Font Family

Retiro Font Family

Retiro Font Family

Retiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro, based on Ambroise is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations – Retiro in 2009 included 470 glyphs – to establish typographic shades adapted to different sections and pages of the Madriz.
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Scania Sans Font Family

Scania Sans Font Family

Scania Sans Font Family

With the aim to be the leader in sustainable transport, Scania builds its business while creating value for customers, employees and society. Delivering customised heavy trucks, buses, engines and services, focus is always on efficient, low-carbon solutions that enhance customer profitability. With design direction by Brand Union Stockholm we have developed a wide type family with 8 styles and updated the classic word mark.
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Pally Font Family

Pally Font Family

Pally Font Family

Pally is a highly-informal sans serif design. Its three weights were designed by Jean-Baptiste Morizot. Pally’s letterforms are all a bit wobbly; the angles of many letters’ strokes are atypical – just look at the capital ‘A’ – and the left and right-hand-sides of many letters are not the same size or height (e.g., the lowercase ‘a’ and ‘n’). As a result, Pally has a lot more character than most sans serif typefaces. It could be an excellent choice for headlines or signage in children’s services projects, like family centers, pediatricians’ offices, primary schools, etc. Once you begin to understand the different rhythm that Pally offers, its underlying typographic sophistication becomes clear. The ascenders of the lowercase letters, rise above the heights of capital letters and numerals. The lowercase alphabet includes a double-storey ‘a’, a single-storey ‘g’, and a Jensonian ‘e’, with a diagonal stroke in its middle-section. Each Pally weight has been drawn in a more-or-less monolinear fashion. In the fonts’ extended character sets, there is plenty of space between each letter and diacritics that come on top of it.
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