URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose.

The designer pack included Bifocals Grotesk and 10 Superior illustration. Inspired by the minimalist, geometric, and contemporary art. Bifocals Grotesk made with geometric and modern concept, designed by Habib Otang. Inspired by Modern Style & Industrial Era Typographic and Graphic design. Come with 4 families to mix and match your design.

Forma Grotesk is an extra condensed font, created to grab your full attention. It is best suited for posters, magazine spreads and movie credits. The font is tall, dence and massive, but still playful. Latin and Cyrillic alphabet, lowercase, uppercase. Two weights — regular and bold. TTF and OTF font formats. This purchase includes a license for use with a single computer, and allows you to create an unlimited number of designs, logos, and similar works. See Creative Market’s license page for more information. Your download also includes webfont files (for testing only, not for live websites). Full web licenses and extended licenses are available for purchase – please contact me for more details.

Christian Schwartz sees his version of Max Miedinger’s seminal Swiss Modern sanserif as “primarily a restoration.” Reclaiming the warmer personality of the Haas original, he reinstated smoother curves and undid the compromises of intervening technologies and a one-size-fits-all approach. In a range of weights tailored to today’s publications, separate fonts for Text and Display now excel at their respective tasks;

Swiss styling collides with the unexpected construction and wonky imperfectionism of 20th century American woodtype in Lucas Sharp’s monument to Adrian Frutiger: Sharp Grotesk. With its exuberant personality, ink traps, and incredible range of moods, Sharp Grotesk is a brand new and uniquely American perspective on the genre of the multi-width neo-grotesk. Originally beginning as hand drawn poster lettering in 2011, Sharp Grotesk eventually grew to encompass a massive range of 21 widths in 7 weights of roman & italic, for a total of 259 fonts.

A suite of 7 condensed fonts inspired by printed wood and display type from A2-TYPE’s archive of historical specimens and printed ephemera. The New Grotesk Square family comprises a series of condensed fonts designed with unified proportions across all widths; from ONE to SEVEN, to create a varied palette of fonts for the modern designer.