Typold font family FULL
55 OTF 55 TTF
55 OTF 55 TTF
November Font Family
November Font Family
18 OTF
Sometimes there are situations when a friendly typeface is too imposing. Sometimes you just want to use a typeface to get the job done. November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease. While most tool-based typefaces feature angled terminals, November’s end strokes are always straight, anticipating the following letter, creating distinctive counterspaces that support the visual rhythm of the words.
18 OTF
Sometimes there are situations when a friendly typeface is too imposing. Sometimes you just want to use a typeface to get the job done. November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease. While most tool-based typefaces feature angled terminals, November’s end strokes are always straight, anticipating the following letter, creating distinctive counterspaces that support the visual rhythm of the words.
Neutral Font Family
Neutral Font Family
6 OTF
Neutral began as Kai Bernau’s graduation project at KABK (the Royal Academy of Art, The Hague), taking inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed. It was constructed based on a set of parameters derived by measuring and averaging a number of popular 20th-century Sans Serif fonts (Kai published a book about the project too). Aware that there is no such thing as total neutrality, this typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
6 OTF
Neutral began as Kai Bernau’s graduation project at KABK (the Royal Academy of Art, The Hague), taking inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed. It was constructed based on a set of parameters derived by measuring and averaging a number of popular 20th-century Sans Serif fonts (Kai published a book about the project too). Aware that there is no such thing as total neutrality, this typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
Brunella Font Family
Brunella Font Family
2 OTF
Brunella is an elegant and beautiful script design published by Seniors Studio.
2 OTF
Brunella is an elegant and beautiful script design published by Seniors Studio.
Massimo Font Family
Massimo Font Family
14 OTF
Massimo is a semi-serif geometric type family. For as long as I can remember, I've admired the visual style of New York – its architecture, fashion, design, and typography. After spending two weeks in Manhattan this summer, I wanted to prepare a sharp and modern typeface in Big Apple style.
14 OTF
Massimo is a semi-serif geometric type family. For as long as I can remember, I've admired the visual style of New York – its architecture, fashion, design, and typography. After spending two weeks in Manhattan this summer, I wanted to prepare a sharp and modern typeface in Big Apple style.
Publico Text Font Family
Publico Text Font Family
6 OTF
The narrow proportion of Publico Text makes for a very efficient text face, but the squareness of the forms and overall openness keeps the text from looking squeezed. From Publico Headline to Publico Text, elegance gives way to sturdiness in the serifs and less pronounced ball terminals, making for an even, comfortable texture in text.
6 OTF
The narrow proportion of Publico Text makes for a very efficient text face, but the squareness of the forms and overall openness keeps the text from looking squeezed. From Publico Headline to Publico Text, elegance gives way to sturdiness in the serifs and less pronounced ball terminals, making for an even, comfortable texture in text.
Caponi Display Font Family
Caponi Display Font Family
12 OTF
The influence of master Italian punchcutter Giambattista Bodoni of Parma has only grown since his death in 1813. Though best known for his delicate, high-contrast Moderns, his early work had a character all its own, warmer and more organic, showing the influence of Pierre Simon Fournier in France. Caponi Display and Caponi Slab are similar in their lightest weights, but depart quickly into two very different approaches to weight and contrast. Though lower contrast than other contemporary Bodoni revivals, Caponi Display follows Bodoni’s approach to weight and contrast, with long, elegant ascenders and descenders.
12 OTF
The influence of master Italian punchcutter Giambattista Bodoni of Parma has only grown since his death in 1813. Though best known for his delicate, high-contrast Moderns, his early work had a character all its own, warmer and more organic, showing the influence of Pierre Simon Fournier in France. Caponi Display and Caponi Slab are similar in their lightest weights, but depart quickly into two very different approaches to weight and contrast. Though lower contrast than other contemporary Bodoni revivals, Caponi Display follows Bodoni’s approach to weight and contrast, with long, elegant ascenders and descenders.
Le Jeune Poster Font Family
Le Jeune Poster Font Family
14 OTF
Le Jeune Poster is the most flexible display size, intended for use between 40 and 96 point. In both roman and italic, Le Jeune is characterized by crispness and beauty. Though its vertical proportions and ball terminals differ significantly from Le Jeune’s model, the spirit of the original comes through in the grace of the romans and the exuberant spirit of the italics. Though initially intended for magazines and editorial design, Le Jeune is well suited to graphic, book and corporate design where modern elegance is a requirement.
14 OTF
Le Jeune Poster is the most flexible display size, intended for use between 40 and 96 point. In both roman and italic, Le Jeune is characterized by crispness and beauty. Though its vertical proportions and ball terminals differ significantly from Le Jeune’s model, the spirit of the original comes through in the grace of the romans and the exuberant spirit of the italics. Though initially intended for magazines and editorial design, Le Jeune is well suited to graphic, book and corporate design where modern elegance is a requirement.
Echo Font Family
Echo Font Family
Echo, a sans serif counterpart to Charlie typeface, designed by Ross Milne. Echo is clear and direct, with subtle influences from the broad nib pen. The two typefaces developed more-or-less simultaneously, learning from the other.
Emmeline Font Family 1501048
Emmeline Font Family 1501048
6 OTF 6 TTF | 196 KB RAR
6 OTF 6 TTF | 196 KB RAR
Emmeline is timeless, elegant and minimal. It achieves this through its clean lines, subtle angles and perfect rounding. Emmeline is a versatile family, including 3 different weights in upper case. Italics for each weight are also included, adding to its opulence. Emmeline is perfect for corporate projects, branding, publishing, editorial, and logotypes, but is also adaptable and versatile enough to be used for multiple different projects…