Daft Brush Family 1504454
2 OTF 2 TTF
2 OTF 2 TTF
Lumin Font Family
Lumin Font Family
38 OTF
The Lumin family includes slab-serif, sans serif, condensed and display typefaces, all of which play with the idea of contradiction. The contrast between horizontal and vertical strokes seems to be quite subtle, evoking the slab serifs of the past century. The stroke connections, however, are sharply chiseled, reminiscent of high-contrast modern types, an effect especially pronounced in the heavier weights. The result is hybrid letterforms that look almost like stencil drawings, yet maintain high legibility at the smallest sizes.
38 OTF
The Lumin family includes slab-serif, sans serif, condensed and display typefaces, all of which play with the idea of contradiction. The contrast between horizontal and vertical strokes seems to be quite subtle, evoking the slab serifs of the past century. The stroke connections, however, are sharply chiseled, reminiscent of high-contrast modern types, an effect especially pronounced in the heavier weights. The result is hybrid letterforms that look almost like stencil drawings, yet maintain high legibility at the smallest sizes.
Valter Font Family
Valter Font Family
14 OTF
Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing. Constructed on a monolinear skeleton, it offers seven weights that incrementally increase the contrast between the horizontal and vertical strokes. The thin styles appear wider, while the heavier weights feel normally proportioned, as only the interiors of the letters gain weight. Valter also includes narrower, cursive italics, as well as small caps and advanced OpenType layout features, creating a refined type family of 16 styles.
14 OTF
Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing. Constructed on a monolinear skeleton, it offers seven weights that incrementally increase the contrast between the horizontal and vertical strokes. The thin styles appear wider, while the heavier weights feel normally proportioned, as only the interiors of the letters gain weight. Valter also includes narrower, cursive italics, as well as small caps and advanced OpenType layout features, creating a refined type family of 16 styles.
Compacta Font Family
Compacta Font Family
36 OTF
Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.
36 OTF
Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.
Calcula Font Family
Calcula Font Family
5 OTF 5 TTF
Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Inspired by the geometric Kufic style of traditional Arabic calligraphy, Calcula is a functional OpenType typeface, with design principles that are rooted in lettering, in that each letter reacts to neighbouring letters, adapting to its context.
5 OTF 5 TTF
Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Inspired by the geometric Kufic style of traditional Arabic calligraphy, Calcula is a functional OpenType typeface, with design principles that are rooted in lettering, in that each letter reacts to neighbouring letters, adapting to its context.
FS Siena Font Family
FS Siena Font Family
14 OTF
FS Siena is a typeface with history, and not just in the sense of having its origins in classical Roman lettering. Fontsmith founder Jason Smith first committed it to tracing paper while still at college, instinctively redrawing letterforms based on Hermann Zapf’s Optima according to ‘what felt right’. When Krista Radoeva took up the challenge to edit and extend the typeface, she and Jason were determined to preserve its subtly nonconformist and eclectic spirit. Like a great dish, there are individual components throughout the character set that all add flavour, and need to be balanced in order to work together. The smooth connection of the ‘h’ ‘m’ ‘n’ and ‘r’ contrasts with the corners of the ‘b’ and ‘p’. The instantly recognisable double-storey ‘a’ – the starting point of the design – contrasts with the single-storey ‘g’ and the more cursive ‘y’. And only certain characters – ‘k’, ‘w’, ‘v’ and ‘x’ in the lowercase and ‘K’, ‘V’, ‘W’, ‘X’ and ‘Y’ in the caps – have curved strokes.
14 OTF
FS Siena is a typeface with history, and not just in the sense of having its origins in classical Roman lettering. Fontsmith founder Jason Smith first committed it to tracing paper while still at college, instinctively redrawing letterforms based on Hermann Zapf’s Optima according to ‘what felt right’. When Krista Radoeva took up the challenge to edit and extend the typeface, she and Jason were determined to preserve its subtly nonconformist and eclectic spirit. Like a great dish, there are individual components throughout the character set that all add flavour, and need to be balanced in order to work together. The smooth connection of the ‘h’ ‘m’ ‘n’ and ‘r’ contrasts with the corners of the ‘b’ and ‘p’. The instantly recognisable double-storey ‘a’ – the starting point of the design – contrasts with the single-storey ‘g’ and the more cursive ‘y’. And only certain characters – ‘k’, ‘w’, ‘v’ and ‘x’ in the lowercase and ‘K’, ‘V’, ‘W’, ‘X’ and ‘Y’ in the caps – have curved strokes.
Superior Title Font Family
Superior Title Font Family
12 OTF
Superior Title is a high contrast Transitional typeface, a kind of missing link between Bodoni and Times. The Display styles are suitable for editorial usage, particularly for fashion and lifestyle publications.
12 OTF
Superior Title is a high contrast Transitional typeface, a kind of missing link between Bodoni and Times. The Display styles are suitable for editorial usage, particularly for fashion and lifestyle publications.
Tiempos Headline Font Family
Tiempos Headline Font Family
12 OTF
Tiempos Headline is a serif typeface designed by Kris Sowersby and published through Klim Type Foundry. It’s the display version companion to Tiempos Text, with tighter spacing and higher contrast for setting elegant headlines. Tiempos Headline is also available in more weights than the text version, including light, regular, medium, semibold, bold and black.
12 OTF
Tiempos Headline is a serif typeface designed by Kris Sowersby and published through Klim Type Foundry. It’s the display version companion to Tiempos Text, with tighter spacing and higher contrast for setting elegant headlines. Tiempos Headline is also available in more weights than the text version, including light, regular, medium, semibold, bold and black.
Portrait Inline Font Family
Portrait Inline Font Family
4 OTF
Portrait Inline is a beautiful, decorative addition to the collection, building on the inscriptional quality of the capital proportions. Portrait Inline Regular takes minimalism present in the rest of the collection to its logical extreme: sharply tapering outer strokes play against monoline inner strokes, with all extraneous detailing stripped away. The Inline Sans takes the structure of the Inline Serif, exposing the geometric underpinnings of the proportions, while adding a dimensional element through its overlapping strokes.
4 OTF
Portrait Inline is a beautiful, decorative addition to the collection, building on the inscriptional quality of the capital proportions. Portrait Inline Regular takes minimalism present in the rest of the collection to its logical extreme: sharply tapering outer strokes play against monoline inner strokes, with all extraneous detailing stripped away. The Inline Sans takes the structure of the Inline Serif, exposing the geometric underpinnings of the proportions, while adding a dimensional element through its overlapping strokes.
Mudstone Font Family
Mudstone Font Family
OTF TTF
The cool, the sans and the light: Mudstone fonts are proudly packed with nice oddities and quirks. These are definitely fonts for getting noticed, in an affirmative, authentic way. Mudstone fonts are all caps, each with at least 2 sets of uppercase letters that will cycle at the command of the contextual alternates feature. There are also stylistic alternates in each font, for that extra something. Critically cool, seriously creative, dangerously unique. Definitely trying? Cool!!
OTF TTF
The cool, the sans and the light: Mudstone fonts are proudly packed with nice oddities and quirks. These are definitely fonts for getting noticed, in an affirmative, authentic way. Mudstone fonts are all caps, each with at least 2 sets of uppercase letters that will cycle at the command of the contextual alternates feature. There are also stylistic alternates in each font, for that extra something. Critically cool, seriously creative, dangerously unique. Definitely trying? Cool!!
Independent Font Family
Independent Font Family
The Independent font family is a comprehensive suite of typefaces designed in 2013 for The Independent newspaper for their daily print and digital editions. The fonts were conceived and designed as a set of interconnected typefaces – sharing the same proportions and underlying structure – to create a coherent and balanced type family. In addition to the three master sets (Serif, Sans & Condensed), a special Serif Headline cut has been designed for display setting – a version of which is used for the newspaper’s masthead. Recently Sans Stencil and Slab fonts were added to the family to cater for a wider range of applications. The typeface was awarded top prize at the D&AD awards in 2014, and the Typeface Design prize at the Tokyo Type Directors Club awards in 2015.
The Independent font family is a comprehensive suite of typefaces designed in 2013 for The Independent newspaper for their daily print and digital editions. The fonts were conceived and designed as a set of interconnected typefaces – sharing the same proportions and underlying structure – to create a coherent and balanced type family. In addition to the three master sets (Serif, Sans & Condensed), a special Serif Headline cut has been designed for display setting – a version of which is used for the newspaper’s masthead. Recently Sans Stencil and Slab fonts were added to the family to cater for a wider range of applications. The typeface was awarded top prize at the D&AD awards in 2014, and the Typeface Design prize at the Tokyo Type Directors Club awards in 2015.
Skinny Font family Carley & Co. 1540972
Skinny Font family Carley & Co. 1540972
3 OTF 3 TTF
Carley & Co. is a skinny, all caps font family that comes in a Light, Regular & Bold version. This condensed sans-serif will look so fun on your cards & invites, and it works perfectly when pairing with other fonts.
WHAT'S INCLUDED Carley & Co. contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, alternates and international characters. You will receive a Light, Regular & Bold font in .otf and .ttf font files.
3 OTF 3 TTF
Carley & Co. is a skinny, all caps font family that comes in a Light, Regular & Bold version. This condensed sans-serif will look so fun on your cards & invites, and it works perfectly when pairing with other fonts.
WHAT'S INCLUDED Carley & Co. contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, alternates and international characters. You will receive a Light, Regular & Bold font in .otf and .ttf font files.
HK Nova Full Family
HK Nova Full Family
HK Nova is a sans serif typeface with 3 versions (Standard, Rounded and Narrow) that is inspired by the geometric Century Gothic and Futura. It formalizes Century Gothic and softens Futura to form a highly usable hybrid typeface.
HK Nova is a sans serif typeface with 3 versions (Standard, Rounded and Narrow) that is inspired by the geometric Century Gothic and Futura. It formalizes Century Gothic and softens Futura to form a highly usable hybrid typeface.
