Cindie Mono Font Family

Cindie Mono Font Family

Cindie Mono Font Family
6 TTF
Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West, Central and East European language support. All diacritics and marks are done in a hairline to add style and contrast. And Cindie Mono is ideal for posters, headlines and display lettering.The inspiration for Cindie Mono came from the lettering styles on optometrists sight-test posters. Then through several stages of development the overall concept for Cindie became of a half-broken Commodore64 and the computer from the 1985 movie ‘Weird Science’ hooked up to a dot-matrix printer spitting out reams of mechanical but distorted mono-lettering all the while an old modem you can't seem find keeps beeping and beeping and beeping...
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Tradesman Font Family

Tradesman Font Family

Tradesman Font Family
40 OTF
Rough-hewn industrial geometric typefaces have been used and admired from early wood types through the digital age of Machine and beyond, but they have lacked an expansive enough family to become a true workhorse. The Tradesman family finds its origin of inspiration in the Craftsman tool company logo, and from there expands to type megafamily.Tradesman celebrates the angular octagonal forms of industrial lettering, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its reliably tough tone from the all capitals lettering that inspired it, and goes on to include a lowercase, small caps style, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.
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Gandur New Font Family

Gandur New Font Family

Gandur New Font Family
3 TTF
Gandur New is a display textura in three weights. It was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, it slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights).
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Mrs Berry Font Family

Mrs Berry Font Family

Mrs Berry Font Family
6 TTF
Mrs Berry is a hand drawn typeface designed for one of our books. You can use it as a regular monochrome typeface or layer different styles to achieve colorful combinations.Mrs Berry has upper and lowercase characters and supports both Latin and Cyrillic scripts.
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Piccata Font Family

Piccata Font Family

Piccata Font Family
8 TTF
Piccata is a hand-drawn font family consisting of 2 weights with 4 styles each. Piccata has been built up from straight brush strokes arranged in a geometric grid. It is intended to work best in small and medium sized texts, but will also make a perfect logo for your next beer label, coffee packaging or shirt design. Combine the 8 styles to create interesting contrasts and rhythms. Piccata will spice up your artworks and is a new fresh approach to the handmade look in type design.
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Yekuana Font Family

Yekuana Font Family

Yekuana Font Family
3 OTF 3 TTF
Yekuana is a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan signs, visually rich and originally used in the enrichment of various utilitarian objects with high symbolic and cultural content. Yekuana is a family of two weights, stylistic alternates, fractions, ordinals and ligatures. Its use is recommended for titles or short phrases and elements of oversized visual communication.
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Pergamon Font Family

Pergamon Font Family

Pergamon Font Family
12 OTF 12 TTF
The Pergamon series is a creation of Alfons Schneider (1890–1946) and was issued by the foundry of Ludwig Wagner in Leipzig in 1937/1940, though the website of the Klingspor-Museum says that several of the faces were probably produced after the death of Schneider. This digital version is extended with the necessary OT characters and signs, while also the “символы кириллицы” are added. Also, in addition to the members of the family designed by Schneider, regular, italic, bold and bold italic extended versions were produced. The specimens of Ludwig Wagner stated emphatically: “In allen Graden werden beide K K geliefert”, so these two forms are in all the faces, while the two condensed members also have k k, as the specimens said that this alternative character was also in these two faces.
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Bobik Font Family

Bobik Font Family

Bobik Font Family
3 TTF /
Bobik is a display type family with three faces – sans, serif and slab. The family was drawn initially on basic principles described in Jean Alessandrini’s Codex 80 and then further developed, including adding a lowercase and ligatures. With a clean sans, robust slab and dramatic serif, Bobik has a contemporary European feel and is ideal for headlines, editorial and short copy. Each face contains upper and lowercase plus West, Central and East European language support.
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Woodford Bourne PRO Font Family

Woodford Bourne PRO Font Family

Woodford Bourne PRO Font Family
18 OTF
Woodford Bourne PRO is the evolution of my original Woodford Bourne typeface that was inspired by the iconic stone cast letters on the facades of the 19th century Woodford, Bourne & Co. buildings in Cork City, Ireland.Woodford Bourne PRO has matured with numerous improvements to make it an even more versatile font family. The fonts have been completely redrawn and spaced, there are now an additional 500 glyphs for you to use across 9 stylistic sets. The additions include underlined caps, small caps, petite caps, catchwords, discretionary ligatures and more. Please view the specification sheet before you purchase to see all the glyphs and features.
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FF Info Display Font Family

FF Info Display Font Family

FF Info Display Font Family
30 OTF
German type designers Erik Spiekermann and Ole Schafer, and German design agency MetaDesign created this sans FontFont between 1996 and 2000. The family has 18 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Info Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, proportional oldstyle, and tabular lining figures. In 1998, FF Info Display received the The Big Crit award.
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Qanelas Soft Font Family

Qanelas Soft Font Family

Qanelas Soft Font Family
20 OTF
Qanelas Soft is a modern sans serif with a geometric touch. A friendlier version of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful opentype features in mind. Each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easely work for web, signage, corporate as well as for editorial design.
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Mediator Font Family

Mediator Font Family

Mediator Font Family
30 OTF
Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures.
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Astrid Grotesk Font Family

Astrid Grotesk Font Family

Astrid Grotesk Font Family
8 OTF
Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness. These upright styles represent the first part of what will be a large suite of fonts. They will be followed by italics, condensed styles, and possibly a slab-serif counterpart. Early adopters will be looked after though. If you purchase the upright family now, the italics and condensed fonts will be yours for free when they are released.This typeface will be useful for corporate identities and branding work. It’s spaced more for text settings, but will work well for display, especially with some negative tracking. Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs. Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.
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Florin Sans Font Family

Florin Sans Font Family

Florin Sans Font Family
5 OTF 5 TTF
A clean, symmetrical and modern typeface. The font (previously named “Heimat Grotesk”) was developed by Florian Klauer for display and body copy application. What stands out about this font is it’s large x-height and constant line-weight. Nearly all letters bend with a continuous unfaltering style, giving the impression all letters are cast from the same mold. Florin Sans comes with two weights plus matching italics with 268 glyphs each, and is available as TrueType and OpenType font.
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Instance Font Family

Instance Font Family

Instance Font Family
20 TTF
Instance is a new classic built on the foundation of over two centuries of history. Fresh and contemporary, while feeling familiar. This typeface is a high contrast sans serif typeface family and was designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes.A flexible, medium to high contrast, sans serif less about designing a stylish decorative design and more about applying contrast onto a neo-grotesk skeleton.Instance is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created.
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Fleursdumal Font Family

Fleursdumal Font Family

Fleursdumal Font Family
2 OTF
How should an authentic baudelairean type look like? Aesthetically beautiful, that’s for sure. Intellectual, neurotic. Uptight — oh, the conventions of the time. Easily readable — still 20 years to go until the age of art nouveau with its outrage of typefaces. It may have a vibe of a Paris salon - salute to the Parnassiens. Such a modern-class (don’t mix it with the modern-styled) pharmaceutical Antiqua. Contrasts, thin serifs, the integrity of the operating theatre. But Baudelaire is not Heredia. «Une charogne» is not that much a vivid metaphor as a drawing from nature. The baudelairean typeface should have its cavern, flow, dark side. Not to demonstrate the fragile romantic profile of a cursed poet, as Baudelaire was seen 130 years ago, but to express the real pain. A true, unattractive, egoistic, suicidal passion.
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Hercilio Font Family

Hercilio Font Family

Hercilio Font Family
11 OTF
Hercilio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercilio Luz Bridge in Florianopolis | Brazi.Comprising eleven (11), weights of which ten (10) business are:Five weights Romans: Light, Normal, Regular, Medium and Bold.Five Italics weights: Light, Normal, Regular, Medium and Bold
And a weight (FREE) Hercilio Decorative.Comprising 430 glyphs in each source, brings support for 56 languages (Latin and West, Central and East European) still has features Open Type, ligatures and tabular figures.
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FF Unit Rounded Font Family

FF Unit Rounded Font Family

FF Unit Rounded Font Family
12 OTF
German type designer Erik Spiekermann and American type designer Christian Schwartz created this display and sans FontFont in 2008. The family has 6 weights, ranging from Light to Ultra and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Unit Rounded provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.
It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
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